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Film Review – Rollei Superpan 200 in 120 format

Rollei Superpan 200 - Shot at ISO200

Rollei Superpan 200 – Shot at ISO200

 

UPDATE: The experimentation guide for Rollei Superpan 200 is available right here and includes some infrared action for you to dig your teeth into.

Today we’re reviewing Rollei Superpan 200 black and white film in 120 format.  It’s also known as Agfa Aviphot 200 or Agfa Superpan 200 depending on where and how you purchase it but it’s safe to say that this film stock is the same, regardless of the name.  It’s distributed via the brand owner, Maco Direct in Germany.

Rollei Superpan 200 is a direct descendant of the much loved Agfa Scala 200X.  Whilst the film shows slightly less contrast than it’s predecessor, it’s still more than enough for my high-contrast tastes, if shot under acceptable conditions.  The film is pretty sharp when shot at box speed and also maintains a high level of sharpness, even when pushed a couple of stops.

Two points worth noting are that this stock can be used for infrared photography (it’s sensitive up to around 750nm) and is also great for long-term archival due to it’s super thin polyester base.

Interestingly, this film is also able to be developed as black and white slides!

Before we get into the review, lets see what Rollei say about this film:

 

 

With its expanded color sensitivity into the near infra-red range of the color spectrum, Aviphot Pan 200 offers excellent penetration through haze, fog and other atmospheric conditions…obviously, this yields an improved image contrast and therefore more information.

With the uniform distribution of the panchromatic sensitivity within the range of visible light, the terrain can be imaged very faithfully without having to revert to the use of special spectral recording filters.

With the film’s specific sensitization and its capability to reproduce small details and a flexible image contrast, different shades in the vegetation, waterfront shores and information in the shadow areas are rendered with outstanding detail.

 

 

Rollei-Superpan-200
NameRollei Superpan 200

Agfa Superpan 200

Agfa Aviphot Pan 200

VendorMaco Direct
TypeBlack and white
Formats35mm / 120
Speed (ISO)200
Exposure latitude±2 stops
Push processing2 stops
Cross processingN/A

 

 

What’s it really like?

I first took this film out on a mildly sunny day, which quickly turned quite dull. I wanted to finished the roll quite quickly and get on with developing it, so perhaps I wasn’t as focused on “nailing the shot” as I should have been. Sometimes days just turn out that way.

When I viewed the scans I wasn’t immediately blown away by the results. Some shots popped out at me, others just didn’t move me in ways that other film does. In all fairness, it was probably my mood at the time. I love high contrast black and white and sometimes forget that not all film will produce those kinds of results straight off the bat.

In the months that have followed this roll, I’ve since come to really love tis film. Take a look below.

 

 Rollei Superpan 200 - Shot at ISO200

Rollei Superpan 200 – Shot at ISO200

 Rollei Superpan 200 - Shot at ISO200

Rollei Superpan 200 – Shot at ISO200

 

On closer (less grumpy) inspection, I actually found myself very happy with the results. The minimal light and shade in the background of the first image is rendered in a very pleasing way and the foreground detail, especially the fauna retains a lot of detail.

Flat light never does film any favors (the second image above). That said, the subject in this case provided the perfect counterpoint. The bland background helps highlight the mirror-like properties of the car out. In addition, the car’s front-right headlamp and the reflections on the bodywork (especially on the lower right) really show the detail this film is able to produce.

Personally, things get much, much better when this film is pushed on a sunny day. Read on for more.

 

 

In conclusion

This film stock is very easy to recommend and thanks to Maco Direct (Germany) and eBay, relatively easy to procure at a reasonable price.  Whilst it doesn’t have the latitude of films such as Kodak Tri-X or Fuji Acros 100, it becomes a total monster when pushed just a single stop, exuding contrast and maintaining fine grain. Let’s go over the highlights:

  • Very fine grain, similar to Ilford Delta 100, Kodak T-Max 100
  • Nominal speed of ISO200 but happily pulls down to ISO100 and pushes up to ISO400
  • Infrared sensitivity for use with a deep red, or 720nm IR filter

 

Just make sure you shoot it in good light, or high contrast situations if you want to bring out the best in this stock.

 

If you have access to this film, grab a couple of rolls and try it out.  For lovers of high contrast, it’s an absolute.  Great for experimentation and a fine successor to Agfa’s Scala 200X.

 

Whilst not an everyday walkabout film, there’s something special about this film that will keep you coming back form more.

 

To see what more Rollei Superpan 200 can do, head on over to our experimentation guide.

Thanks for reading,

~ EMULSIVE

 

 

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About The Author

EMULSIVE

Self confessed film-freak and film photography mad-obsessive and OVERLORD at emulsive.org. I push, pull, shoot, boil and burn film everyday, and I want to share what I learn.

5 Comments

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  1. looking forward to the infrared write up!
    I’ve shot a little bit of it with interesting results (contrasty goodness) but I’ve shot rollei 400s more

    Reply
    • The IR portion of Friday’s write up won’t be particularly long but it should still be useful. I Have an update in development for future release. Any questions, please ask!

      Reply
    • Ps. I love 400s myself and have had better IR results with it. That said, I find that it’s much easier to block up the shadows and blow the highlights on it…not altogether unappealing though!

      Reply
    • yeah, I’ve read many complaining about the tight latitude on 400S. though I’va had better luck with it than superpan. might depend on how you develop it?

      Reply
      • It’s certainly a ‘blocky’ film but I love the high contrast and it’s super easy to push. Because there’s no anti-galati on layer on the film, you can get some lovely halo effects when you shoot this film in bright light. Give it a try!

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