Photography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)
And then there was one Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar … Read more
Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss … Read more
Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl … Read more
There’s no such thing as 120mm film…
Let’s be as clear as possible: there is no such thing as “120mm film”. Medium format roll film for cameras like Hasselblads, Rolleiflexes and Pentax … Read more
Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad … Read more
Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully
Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02
Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E
Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
5 o’clock shadow
Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8.
Read the ILFORD HP5 PLUS review.
Development notesKodak HC-110 1+47
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage!
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot
Shot on Fuji Provia 100F (RDP III
Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
