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Tag: 120 Format Film

Nature always wins - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops
Medium format

Photography: Nature always wins – Shot on CatLABS X-Film 80 at...

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Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot...
Rants: There's no such thing as 120mm film...
Articles

RANTS: There’s no such thing as 120mm film…

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Let's be as clear as possible: there is no such thing as "120mm film". Medium format roll film for cameras like Hasselblads,...
Decked out - Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6x6.
Medium format

Photography: Decked out – Shot on Kodak Portra 800 at EI...

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Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6
On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.
Medium format

Photography: On the job – Shot on ILFORD Delta 400 Professional...

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On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...
Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.
Medium format

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

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Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8   Development notesKodak HC-110 1+47 (E
5 o'clock shadow - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 FCW / Carl Zeiss Planar F 80mm f/2.8.
Medium format

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at...

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5 o'clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6x6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47
Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI...

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Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead
Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400...

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Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME
Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Medium format

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS...

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Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B
Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.
Medium format

Photography: Up and to the right #02 Shot on ILFORD SFX...

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Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6x6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter      
No garbage! - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6×6.
Medium format

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI...

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No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6      
Right - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50...

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1, 2, 3... Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5    
Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI...

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Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5      
Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at...

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Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6      
My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.
Medium format

Photography: My spot – Shot on Fuji Provia 100F RDP III...

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My spot Shot on Fuji Provia 100F (RDP III
Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6
Medium format

Photography: Pure Colombian – Shot on Konica Pan 100 at EI...

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Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6x6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6x6.
Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.
Medium format

Photography: Stand alone – Shot on ILFORD PAN F PLUS at...

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Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6x6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4   Development notes Cinestill Df96 monobath
Waiting #02 - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200...

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Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6    
Waiting area - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200...

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Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6    
Left on - Shot on Fuji NEOPAN 100 ACROS at EI 100. Black and white negative film in 120 format shot as 6x6. Kodak Aero Ektar 178mm f/2.5.
Medium format

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at...

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Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6x6 Kodak Aero Ektar 178mm f/2.5...
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