Infrared


Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Bathed in light - Shot on Rollei Superpan 200 at EI 3. Black and white negative film in 120 format shot as 6x6. R72 filter.

Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)

Bathed in light

Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter

Read the Rollei Superpan 200 review and experimentation guide.

 

 

 

 

 

Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

Vernicular rising

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Lush - Kodak Aerochrome III (1443) shot at ISO400. Color infrared slide film in 120 format shot as 6×6. Orange #21 filter

Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Lush

Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter

Read the Kodak AEROCHROME III 1443 review here.

 

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Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)

Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the …

Read morePhotography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)

Hyggelig - Kodak Aerochrome III (1443)

Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)

Hyggelig

Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter

Read the Kodak AEROCHROME III 1443 review here.

 

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fuscia-canopy

Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)

Fuchsia canopy

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×4.5
Overexposed one stop with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

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Hexagonal columns - Kodak Aerochrome III Infrared Film 1443 shot at ISO200

Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)

Hexagonal columns
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
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Crimson woods - Kodak Aerochrome III Infrared Film 1443 shot at ISO200

Photography: Crimson woods – Kodak AEROCHROME III 1443 (120)

Crimson woods
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
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