film.photography
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Bathed in light
Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the Rollei Superpan 200 review and experimentation guide.
Vernicular rising
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Palm grove
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
The narrows
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Rollei Infrared 400 shot at ISO400
Black and white negative film in 35mm format
Osaka infrared
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Tranquility
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
BT
ILFORD SFX 200 shot at EI 25
Black and white infrared film in 35mm format
R72 filter plus two-stop push process
Lush
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
 
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 35mm format
R72 IR filter
Hyggelig
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
 
Fuchsia canopy
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×4.5
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME review
 
Stake-out
Rollei Retro 400S shot at EI 25
Black and white infrared-sensitive negative film in 35mm format
R72 filter
Intertwined
Shot on Rollei Infrared 400 at EI 25
Black and white infrared sensitive film in 35mm format
Spinning around
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
Hexagonal columns
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
 
Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
Crimson woods
Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200
Color infrared aerial surveillance film in 120 format shot as 6×6
Overexposed one stop with #21 orange filter
Read the Kodak AEROCHROME III 1443 review here.
 
