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Tag: Infrared

Photography: Up and to the right #02 Shot on ILFORD SFX...

Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6x6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter      

Photography: Bathed in light – Shot on Rollei Superpan 200 at...

Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6x6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.          

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review          

Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)

Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review      

Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)

The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review        

Photography: Your advertisement here – Rollei Infrared 400

Rollei Infrared 400 shot at ISO400 Black and white negative film in 35mm format

Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)

Osaka infrared Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review      

Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)

Tranquility Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review      

Photography: BT – Shot on ILFORD SFX 200 at EI 25...

BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process  

Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI...

Lush Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.    

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3...

Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6x4.5 R72 720mn infrared filter Read the full Rollei Superpan...

Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm...

Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter    

Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)

Hyggelig Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.    

Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)

Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review        

Photography: Stake-out – Rollei Retro 400S (35mm)

Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter      

Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25...

Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format        

Photography: Spinning around – Rollei Infrared 400 (120)

Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6x6          

Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)

Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6x6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  

Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400...

Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6x6      

Photography: Crimson woods – Kodak AEROCHROME III 1443 (120)

Crimson woods Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6x6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  

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