Tag: Infrared
-
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
-
Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
-
Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)
The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Your advertisement here – Rollei Infrared 400
Rollei Infrared 400 shot at ISO400 Black and white negative film in 35mm format
-
Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)
Osaka infrared Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)
Tranquility Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
-
Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Lush Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
-
Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
-
Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
-
Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)
Hyggelig Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
-
Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)
Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review  
-
Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
-
Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format
-
Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
-
Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)
Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
-
Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
-
Photography: Crimson woods – Kodak AEROCHROME III 1443 (120)
Crimson woods Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.