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Disclaimer: Unlike most film reviews that have comparison shots of the same subject, taken under different settings and exposure values, this review will feature a set of photos that show the film's capability to perform under different lighting conditions.
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I was intrigued.
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
I think I just fell in love with Rollei Retro 400S…. Here’s how it happened.
I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago.
The film cassette label states that the S stands for Sound Recording Film. I wondered how a film designed for making movie sound tracks would fare in conventional photography.
There's much more to HP5 PLUS than meets the eye - something that regular shooters of this film will be more than aware of.
It's time to lift the veil on my thoughts about Rollei Vario Chrome, a "new" slide film officially announced in June 2017 and available in 36 exposure 35mm cassettes*1.
The past 15 years or so have not been easy for film photographers: Most photo labs have closed their doors, major brands no longer manufacture analog cameras, and the few remaining repair shops are all but out of parts. The
Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and overexposure. Series structure Part
Welcome to part seven of my Bergger Pancro 400 review series.
It's about time to wrap up the part of this series that covers Bergger's 35mm Pancro 400 film with something a bit special: reversal development results. Before you start scratching your head or disappear altogether, allow me a minute or
UPDATE: Scott Micciche has published part one of his extensive FERRANIA P30 tests. A best practices guide showing results from six developers in eight development schemes. This article forms part one of a multi-part review series.
If you've been following along, you're probably wondering what happened to part four of this series.
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you've come to know and love. In case you're new to the
UPDATE: Part three, EI 1600 bracketed +/- 1 stop is here.
UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here! You may have seen this recent article covering all the
First of all a disclaimer; I am not affiliated with ADOX, nobody paid me to write this and I’m just doing this review because I think it might be of interest to some people.
Well here's something you don't see every day or every week for that matter.
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