Infrared - Black and White Film
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6x6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)
Party's over
Shot on Rollei Infrared 400 at EI 400
Black and white infrared film in 120 format shot as 6x6
No filter
Read the Rollei Infrared 400 review
Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)
Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6x6
R72 filter
Photography: Light and shade – JCH Streetpan 400 (35mm)
Light and shade
Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 35mm format
R72 720nm filter
Read the JCH Streetpan 400 Infrared review here
Photography: Tones – Konica Infrared 750 (120)
Tones
Shot on Konica Infrared 750 at EI 8
Black and white infrared film shot as 6x6
Red #25 filter
Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared
Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4x5 format
Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f/4.5
Photography: For whom the bell tolls – Rollei Infrared 400 (35mm)
For whom the bell tolls
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 35mm format
EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We're here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria
Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.
Over
Photography: Glow – Shot on Kodak High Speed Infrared / HIE at EI 100 (35mm format)
Glow
Kodak High Speed Infrared / HIE shot at EI 100
Black and white infrared film in 35mm format
Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack
Rollei Infrared 400 shot at EI 6 with R72 filter
Black and white infrared film in 120 format shot as 6x6
Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6x6
R72 720mn infrared filter
Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
Photography: Con-INFRA-erous – Shot on Konica Infrared 750 at EI 8 (120 format)
Con-INFRA-erous
Shot on Konica Infrared 750 shot at EI 8 with #25 filter
Black and white infrared film in 120 format shot as 6x6
Photography: Your advertisement here – Rollei Infrared 400
Rollei Infrared 400 shot at ISO400
Black and white negative film in 35mm format
Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT
ILFORD SFX 200 shot at EI 25
Black and white infrared film in 35mm format
R72 filter plus two-stop push process
Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom
Rollei Superpan 200 shot at EI 3
Black and white negative film in 120 format shot as 6x4.5
R72 720mn infrared filter
Read the full Rollei Superpan...
Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 35mm format
R72 IR filter
Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6x6
Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined
Shot on Rollei Infrared 400 at EI 25
Black and white infrared sensitive film in 35mm format
Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6x6
Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6x6
