Tag: Infrared – Black and White Film
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Photography: Under a silver canopy – Shot on ILFORD SFX 200 with #25 red filter at EI 12 (120 format)
Shot on ILFORD SFX 200 with #25 red filter at EI 12Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 09:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
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5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter
The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally,…
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Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
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Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)
Party’s over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6×6 No filter Read the Rollei Infrared 400 review
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Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)
Vandalartists Shot on Konica Infrared 750 at EI 8 Black and white infrared film in 120 format shot as 6×6 R72 filter
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Photography: Light and shade – JCH Streetpan 400 (35mm)
Light and shade Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 35mm format R72 720nm filter Read the JCH Streetpan 400 Infrared review here
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Photography: Tones – Konica Infrared 750 (120)
Tones Shot on Konica Infrared 750 at EI 8 Black and white infrared film shot as 6×6 Red #25 filter
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Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
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Photography: For whom the bell tolls – Rollei Infrared 400 (35mm)
For whom the bell tolls Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains. Over
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Photography: Glow – Shot on Kodak High Speed Infrared / HIE at EI 100 (35mm format)
Glow Kodak High Speed Infrared / HIE shot at EI 100 Black and white infrared film in 35mm format
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Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6×6
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Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Con-INFRA-erous – Shot on Konica Infrared 750 at EI 8 (120 format)
Con-INFRA-erous Shot on Konica Infrared 750 shot at EI 8 with #25 filter Black and white infrared film in 120 format shot as 6×6
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Photography: Your advertisement here – Rollei Infrared 400
Rollei Infrared 400 shot at ISO400 Black and white negative film in 35mm format
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Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
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Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format