Infrared - Black and White Film


5 Frames… Of ILFORD SFX 200 Developed in Cinestill's Df96 monobath with a Fuji GS645S and a red filter - by Ed Steinerts

5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

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The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium …

Read more5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

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Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Party's over - Shot on Rollei Infrared 400 at EI 400 - Black and white infrared film in 120 format shot as 6x6 - No filter

Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)

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Party’s over
Shot on Rollei Infrared 400 at EI 400
Black and white infrared film in 120 format shot as 6×6
No filter
Read the Rollei Infrared 400 review
 

 
 

 
 

Vandalartists - Shot on Konica Infrared 750 at EI 8 - Black and white infrared film in 120 format shot as 6x6 - R72 filter

Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)

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Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6×6
R72 filter
 

 
 

 
 

Light and shade - JCH Streetpan 400 shot at EI 12. Black and white negative film in 35mm format. R72 720nm filter.

Photography: Light and shade – JCH Streetpan 400 (35mm)

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Light and shade

Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 35mm format
R72 720nm filter

 

Read the JCH Streetpan 400 Infrared review here

 

 

Bodie Infrared - Rollei Infrared 400 shot at EI 6. Black and white infrared negative film in 4x5 format. Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f:4.5

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

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Bodie infrared

Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

 

 

 

Monte Sella di Fanes - Mamiya 7ii - Ilford Delta 100 Professional

EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film

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We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria

Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.

Over

Mannequin parade - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.

Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Mannequin parade

Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

 

 

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Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the …

Read morePhotography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)