Rollei

5 Frames… With Rollei Retro 80S (EI 50 / 120 format / Bronica ETRC) – by Leo Nikishin

Rollei Retro 80S is not a new kid on the block anymore, it's been around since mid-2000s and plenty has been written about its most prominent characteristics: extended red sensitivity, high resolution and contrast - all signs of its

EMULSIVE interview #195: I am David Jazay and this is why I shoot film

Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It's an interesting read ahead, so I'll bow out and pass you over to David. Hi David, what's this picture, then? Antique Shops and

EMULSIVE’s most popular film photography posts of 2018

2017's end of year listicles seem like they went down pretty well, so I've decided to put my personal prejudice against them to one and put together a few more for 2018.

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4x5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath  

Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)

Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6x6   Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6x6   Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse