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Every single film stock still made today – Part 5: Oriental...

Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

How-to: convert a toy camera to shoot BW infrared film –...

Ok, so as photography how-to's go, this one is as simple as they come.

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI...

Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI...

Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI...

Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI...

Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI...

Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide    

5 Frames With… Rollei Retro 400s (EI 200 / 35mm /...

The Agfa "Gevabox" box camera normally takes 6x9 images on 120 film, has two shutter speeds and two apertures (mine is the later 1955 version).

Photography: Street rider – Shot on Rollei Infrared 400 at EI...

Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format    

EMULSIVE interview #179: I am Daphne Schnitzer and this is why...

A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.

Photography: Bathed in light – Shot on Rollei Superpan 200 at...

Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6x6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.          

Film review: Rollei Retro 400S aka Street Shooting with Rollei Retro...

I think I just fell in love with Rollei Retro 400S…. Here’s how it happened.

EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why...

January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.

Party's over – Shot on Rollei Infrared 400 at EI 400...

Party's over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6x6 No filter Read the Rollei Infrared 400 review          

EMULSIVE's most popular film stock reviews of 2017

Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.

EMULSIVE's most popular film photography posts of 2017

In the time honoured tradition of lazy posting at the end of each year, here's the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take

Photography: Scratch that – Shot on Rollei CR 200 at EI...

Scratch that Shot on Rollei CR 200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6          

5 Frames With… Rollei Infrared 400 (EI 12 / 120...

Over the past couple of summers I've been experimenting a bit with infrared photography. I've always been intrigued by the alienating look that infrared images can give you.

Thoughts: The life of a film camera; and all the lives...

This article isn't on photography per se, it's about cameras, it's about our cameras.