Coming just 20 days after they announced ISO 8 Fantôme Kino B&W film back on March 26th, the folks at Lomography are back at it again, this time with a faster (but still very slow) ISO 13 film going by the name Babylon Kino B&W ISO 13. As with Fantôme, Babylon Kino is available for […]
Tag: Lomography
Posted inArticles
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
Posted inArticles
Lomography launches new slow 35mm B&W film: Fantôme Kino ISO 8
Hot off the press is news of a new film by the folks at Lomography: Fantôme Kino B&W ISO 8 film in 35mm format. Touted as a “brand new high contrast film with panchromatic sensitivity…
Posted in5 Frames..., Articles
5 Frames… With Lomography LomoChrome Purple XR 100-400 (EI 400 / 35mm format / Contax G1)
A few months ago I was heading to Europe for a few weeks. I needed a trusty camera that would allow me complete control but also auto settings that gave me the freedom to capture images without much thought. My buddy Joe suggested the Contax G1 since he’d purchased one earlier in the year. I […]
Posted inLomography Film Stock Reviews
What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide
Lomography’s LomoChrome Purple XR 100-400 is definitely an interesting film. Until shooting it in late 2019, I had never tried a ‘special effects’ film before and surprisingly, I liked it. But there are some caveats that never seem to be mentioned in Lomography’s posts and promotions. This is not so much intended as a film […]
Posted in5 Frames..., Articles
5 Frames… With Lomography LomoChrome Purple XR 100-400 (EI 160 / 35mm format / Nikon F3HP)
I recently shot my second ever roll of the new 2019 LomoChrome Purple. After shooting my first roll at EI 400 and being a bit underwhelmed by most of the shots, I decided to go to the other end of the spectrum and shoot at EI 160 at a macro workshop. Borrowing a Micro-Nikkor 55mm […]
Posted inSecret Santa
EMULSIVE Secret Santa 2019 updates: Sponsors! Gifting! Shopping!
UPDATE: Registration for EMULSIVE Santa 2019 has closed. There is a little over one week to go before registration for EMULSIVE Secret Santa 2019 closes, so it seems to be an appropriate time to remind those of you dragging your feet to sign up before it’s too late! While you’re here, there’s also a bit […]
Posted in5 Frames..., Articles
5 Frames… With Street Candy ATM 400 (EI 400 / 35mm format / Lomography Diana Mini)
I love the Lomography Diana Mini and I’ll stand by this little plastic gal with all my heart, even when nobody else wants to.
Posted inAll Reviews, Bronica film camera reviews, Film camera reviews
The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
Posted inNews
The first new colour film stock in 5 years: LomoChrome Metropolis available in 16mm, 35mm, 110 and 120 formats
It’s been nearly five years since we saw a new colour negative photographic film hit the shelves and over six since the one before that.
Posted inFilm Photographer Interviews
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
Posted in5 Frames..., Articles
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101)
“What about Berlin?”, I asked my partner.
We were looking for a city break last October and had no idea where to go.
Posted in5 Frames..., Articles
5 Frames… With Kodak Panchromatic Sound Recording Film 2374 (EI 100 / 35mm format / Lomo LC-A) – by Andrea Taurisano
My choice fell on Kodak Panchromatic Sound Recording Film 2374, a film I had never heard of until I saw a few dusty rolls in a photo store in Ukraine.
Posted inFilm camera reviews
Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
Posted inFilm Photographer Interviews
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Posted inMamiya film camera reviews
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Posted inFilm Photographer Interviews
EMULSIVE interview #197: I am Cat Topham and this is why I shoot film
Greetings from EMULSIVE HQ.
Posted inFeatured projects
Shooting an album cover on film – Eyedress’ Sensitive G
I had previously worked with Eyedress in Tokyo at Big Love Records. He’s a Philipines based artist who is currently on Lex Records based out of England.
Posted in35mm format, Photography
Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
Posted in35mm format, Photography
Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
