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Cinematic storytelling part 3: developing motion picture film

Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Cinematic storytelling part 1: an overview of motion picture film and...

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself. Through this article and the

Photography: Black sand – Kodak VISION3 200T 5213 at EI 200...

Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format      

Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at...

45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format      

Every single film stock still made today – Part 4: Kodak...

Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

EMULSIVE 52 Rolls 2016 – Week 22-25 update

Roll up, roll up! It's time for another update! This time I'll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.

Photography: Drifted – Kodak VISION3 200T 5213 (35mm format)

Drifted Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format      

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