Tag: ILFORD HP5 PLUS
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EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell. Over to you, John! Hi John, what’s this picture, then? Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
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Photoset: Nature Wins
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
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Camera review: Bronica SQ-Ai
Just a few months ago, I was happily shooting digital. But my work was lacking something. Soul, perhaps.
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EMULSIVE's most popular #5FramesWith articles of 2017
Earlier this year I started a new series of articles with Hamish over at 35mmc.
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EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring 10.
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EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F50)
When in doubt, reach for ILFORD HP5 PLUS. This has been my film photography rule the last little while.
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Photography: 4x – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
4x Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Why shoot film part 1: the Leica CL
Although I’m still only starting out with my exploration of film photography I have a few images already that I feel indicate where my style and taste will arrive. The images I shoot on film are very distinct from my
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Photography: Take the third path – Shot on ILFORD HP5 PLUS at EI 400 (35mm format)
Take the third path Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format Read the ILFORD HP5 PLUS review here.
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Film review: ILFORD HP5 PLUS in 35mm, 120 and sheet formats
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of.
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Photography: Incense gourd – Shot on ILFORD HP5 PLUS at EI 400 (35mm format)
Incense gourd Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format Read the ILFORD HP5 PLUS review here.
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EMULSIVE interview #163: I am Antonio Lastoria and this is why I shoot film
Regular readers should be familiar with the recent #5FramesWith article by today’s interviewee.
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Photography: Hump day – Shot on ILFORD HP5 PLUS at EI 400 (35mm format)
Hump day Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format Read the ILFORD HP5 PLUS review here.
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Photography: Special delivery – – Shot on ILFORD HP5 PLUS (35mm)
Special delivery Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format
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Photography: Improvise, adapt, overcome – Shot on ILFORD HP5 PLUS (35mm)
Improvise, adapt, overcome Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film
I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal. Over to you, Ante! Hi Ante, what’s this picture, then? AP
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Photography: ROY STRYKER – An FSA-inspired film Documentary photography project to introduce America to Americans
I’m a dreamer. I believe the power of photographs can change America, and I have proof it’s possible.