Tag: ILFORD HP5 PLUS
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 120 / 6×6 / Mamiya 6)
Two weeks ago the first significant signs of autumn became visually present in the Netherlands.
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5 Frames… Avec la pellicule ILFORD HP5 Plus
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.
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5 Frames… With ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL)
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.
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Camera review: Mamiya 645 1000S
The Mamiya 645 1000S was not my first medium format camera.
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EMULSIVE interview #155: I am Dan Dao and this is why I shoot film
Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
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Photography: Decision time – Shot on ILFORD HP5 PLUS (35mm format)
Decision time Shot on ILFORD HP5 PLUS at EI 400Black and white negative film in 35mm formatContax AX, Hasselblad Distagon C 50mm F4 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 07:30 (N) 1-minute presoak, 30 seconds initial agitation, 1
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
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EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
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My Return to Film: Antonio Lastoria
…or described another way, “There and back again – almost”. When I started out in photography the closest thing I encountered to digital photography was the Polaroid.
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Camera review: My journey with the Pentax 645
If you are just an old timer still shooting film, or new to the craft, photographing with film encourages one to explore and play with tactile gear and tangible materials.
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EMULSIVE interview #134: I am Monika and this is why I shoot film
Finally! That’s all I’m going to say about today’s interview.
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Photography: Tear it down…tear it all down – ILFORD HP5 PLUS (120)
Tear it down…tear it all down ILFORD HP5 PLUS shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops Read the ILFORD HP5 PLUS review.
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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EMULSIVE interview #130: I am Dave Bias and this is why I shoot film
Today’s interview is a bit of a treat, as well as a precursor for things to come.
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EMULSIVE interview #125: I am whatsbehindthat and this is why I shoot film
I’m happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!
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EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
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The beautiful but maddening Exakta VAREX IIb
You may recall the scene below from Rear Window (1954).
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Featured project: Virgil Roger’s Collages
I’m a photographer. I don’t know how long I have been calling myself that for, and for how long I’ve deserved it — if only I even deserve it.
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Photography: Bring my family back – Ilford HP5+ (120)
Bring my family back Ilford HP5+ shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Permission to Create
I am no stranger to self-doubt. In fact, it feels as if I’ve stumbled through most of my life–save for my late teens when most of us think we know everything–with self-doubt at my side.