Tag: ILFORD HP5 PLUS
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Pure rot – Ilford HP5+ (120)
Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop
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EMULSIVE interview #115: I am Robert Versteegen and this is why I shoot film
Today we’re very lucky to be able to sit down and pull on a few film photography threads with Robert Verteegen, Eindhoven, NL native and shooter of so-called ordinary things.
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EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film
It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.
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Camera review: the Hasselblad 500C/M
In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film.
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Photography: So long chaps! – Ilford HP5+ – 120
So long chaps! Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Minimalism in photography
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci Minimalism of any form requires a degree of discipline… The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
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EMULSIVE interview #109: I am Unsavoryandgrouse and this is why I shoot film
Today we’ve got a little treat for you in the form of Nik, aka unsavouryandgrouse. Nik’s a relatively new film shooter and based in Australia.
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EMULSIVE interview #106: I am Robert J Davie and this is why I shoot film
Today I’m delighted to bring Rob Davie for your intellectual consumption.
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Push processing ILFORD HP5 PLUS from EI 800 to EI 6400
Hi! My name is Daniel and I live in Helsinki, Finland.
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EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
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Photography: Letters to the editor – Ilford HP5+ (35mm)
Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photostory: Bars – Mamiya RB67 and ILFORD HP5 PLUS at the Yorkshire Museum of Farming
The York Photographic Society have a large membership of active enthusiasts, at least 50 or so.
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Amore al primo rullo: ILFORD HP5 PLUS
Quando EMULSIVE mi ha chiesto di scrivere qualcosa su ilford HP5 plus sono rimasto molto sorpreso e anche un po’ preoccupato: non sono un tecnico e non sono un fotografo professionista e non ho neanche molta esperienza. Bene, probabilmente vi
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Love at first roll: ILFORD HP5 PLUS
When EM asked to me to write something about ILFORD HP5 PLUS I was very surprised and a little worried. I’m not a technician, I’m not a professional photographer and I also don’t have too much experience, so you’re probably
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EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)
I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.
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Campinas: o berço da fotografia mundial
Campinas é o berço da fotografia mundial. Sei que provavelmente você não conhece a cidade, e muito menos porque eu disse que ela é o berço da fotografia.
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Campinas: The cradle of world photography
Campinas is the cradle of world photography. I know you probably do not know the city, regardless of my statement about it being the cradle of photography, so here’s a little background why I believe it to be true. For
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EMULSIVE interview #79: I am Joe Smith and this is why I shoot film
Here’s something a little different.
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EMULSIVE interview #76: I am Melvin Mapa and this is why I shoot film
We often see the phrase “a long time coming” but what does that really mean? Well, in this case, it’s nine months. That’s how long we’ve been working on this with Melvin.