Tag: ILFORD HP5 PLUS
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EMULSIVE interview #73: I am Ron Hammond and this is why I shoot film
Today’s interviewee is prolific to say the least. Ron Hammond has been actively photographing for over 50 years and exhibiting his work in solo shows for over 25 of them.
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EMULSIVE interview #72: I am Jeff Hao and this is why I shoot film
Continuing our theme of bringing you film photographers both long and not so long in the tooth, we’re incredibly pleased to be able to introduce you to 19 year old photographer Jeff Hao and his work. As per the norm
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EMULSIVE interview #70: I am Tim Heubeck and this is why I shoot film
We’re really pleased to have been able to grab some time with the talented Tim Heubeck, a 19 year old photographer seemingly obsessed with black and white film and travel – a nice combination and great for producing the beautiful
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EMULSIVE interview #69: I am Niccolò Bianchi and this is why I shoot film
It’s that time of the week again and today we’re sitting down with Italian Niccolò Bianchi (no, not the heir to the bicycle manufacturer…I think). Niccolò’s been shooting film for around 5 years and is now firmly entrenched in
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EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film
Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.
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EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film
Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this
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Camera review: the Olympus MJU-II (Olympus Stylus Epic)
I’d been scouring eBay for an Olympus MJU-II cameras for ages.
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EMULSIVE interview #65: I am Bob St. Cyr and this is why I shoot film
Today I’m sitting down with native Saskatchewanian, Bob St. Cyr.
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Photography: Tranquillity – Shot on ILFORD HP5 PLUS at EI 400 (35mm format)
Tranquillity Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 35mm format
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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EMULSIVE interview #56: I am Andrew Sanderson and this is why I shoot film
We’re honoured to have been able to grab some time with Andrew Sanderson, author and Ilford Master Printer. Andrew’s prolific to say the least and in my opinion, a perfect example of all this is good with the photography community.
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
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Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Photography: What can I help you with? – Ilford HP5+ (120)
What can I help you with? Shot on ILFORD HP5 PLUS at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3-stops
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EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
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EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.