35mm, medium format, instant and Large format; they’re all fair game for today’s interviewee, Andrew Bartram.
Tag: ILFORD HP5 PLUS
Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1+1/3 stops
Read the full ILFORD HP5 PLUS review here.
EMULSIVE interview #41: I am Hamish Gill and this is why I shoot film
Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish!
Fine.
EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
EMULSIVE interview #35: I am Jo Farrell and this is why I shoot film
We’ve been rather lucky in snatching some time with the one and only Jo Farrell, whom you may know from her long running project, Living History: Bound Feet.
Jo has spent the past nine years getting to know and capturing
EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
EMULSIVE interview #27: I am Colin Wilson and this is why I shoot film
Considered, methodological, quiet, contemplative.
Today’s film photographer isn’t someone you’ll likely see running after the next shot.
Photography: Lobed – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Lobed
Shot on ILFORD HP5 PLUS at EI 400
Black and white negative film in 120 format shot as 6×4.5
Read the full ILFORD HP5 PLUS review here.
EMULSIVE interview #23: I am Michael Bitaxi and this is why I shoot film
Some call him, Mr. Polypan…That’s Polypan F, the black and white cinecopy film.
Others simply call him by the slightly less catchy Michael Bitaxi.
EMULSIVE interview #22: I am Roy Clark and this is why I shoot film
Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer
EMULSIVE interview #20: I am Riley Joseph and this is why I shoot film
Today I’m sitting down with self-proclaimed Canadian Gentleman, Riley Joseph.
Slightly more comfortable in his photographer’s skin now that he’s had the chance to “settle in” to carrying a camera after 17 long years of trying, I’m hoping to
Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×6
Push processed 1+1/3 stop
Read the full ILFORD HP5 PLUS review here.
Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
EMULSIVE interview #16: I am Tim Dobbs and this is why I shoot film
One must keep on one’s toes when talking with the Welsh.
EMULSIVE interview #8: I am Bill McCarroll and this is why I shoot film
Today we managed to wedge ourselves into the hectic life of Bill McCarroll;
Photography: The pane – Ilford HP5+ (120)
27-07-2015 – The pane
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
EMULSIVE interview #4: I am Jennifer Henriksen and this is why I shoot film
Today we’re sitting down with the one and only Jennifer Henriksen, or as you may better know her, mastermind and overlord of Holga Week, HolgaJen.
Here you go, Jen.
EMULSIVE interview #1: I am Emericus Durden and this is why I shoot film
Welcome to the first in a new series of interviews here at EMULSIVE
I think you’ll find the format rather refreshing, if possibly a little strange.
Photography: Bamboo Glade #01 – Shot on ILFORD HP5 PLUS at EI 800 (120 format)
Bamboo Glade
Shot on ILFORD HP5 Plus at EI 800.Black and white negative film in 120 format shot as 6×6.Pushed one stop.
Read the full ILFORD HP5 PLUS review here.
Bamboo GladeShot on ILFORD HP5 PLUS at EI 800Black