Tag: Fujifilm
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5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 120 format / Zeiss Super Ikonta 532/16)
When I started my summer job, I knew that I would have to take any opportunity to take photos I could. But — just for myself — I also took those weeks to learn how to use my newest camera. I took that camera — a Zeiss Super Ikonta 532/16 with its Carl Zeiss Jena…
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5 Frames… With Fujifilm NEOPAN 100 ACROS (EI 100 / 120 format / Argus Argoflex Seventy-Five)
I bought this Argus Argoflex Seventy-Five for $25 from a classified ad. I wanted to jump to medium format but didn’t want to invest too much before I had had a little experience working with larger negatives. It’s an odd little camera — almost a toy, really. The limitations of this camera are both exasperating…
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Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What’s the difference?
Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. So, when a second announcement came with details of a November 22nd Japanese release date, I started making calls to see if I could buy some. I got lucky and…
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5 Frames… With Kodak Tri-X 400 (EI 400 / 120 format / Fujifilm GW690II Professional)
This Story begins back in the year 2000. I had been an in-house industrial photographer working for an engineering and manufacturing firm for the previous 20 years. It had been about four years since the company I worked for relocated, shut down my darkroom, and outsourced all film processing. Without access to a darkroom, I…
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Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long term thing, in fact, I originally hadn’t even intended to make anything in particular at all. What started off as a solo holiday around Italy with a couple of cameras, a flight into…
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Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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Rajadamnern: documenting Muaythai boxing on film
While studying art in college I found the sport of Muaythai, the National Sport of Thailand. I started practicing to get my self in shape and being a college kid eating terrible, as well as destroying my body with cigarettes and alcohol, I knew it was a change I needed. If my time was not…
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UPDATE: Fujifilm NEOPAN 100 ACROS II shipping November 22nd in 35mm and 120 formats
UPDATE: Pricing released (see below) According to a press release just published on Fujifilm’s Japanese corporate website, new Fujifilm NEOPAN 100 ACROS II – first announced here on EMULSIVE on June 10th 2019 — will begin shipping in Japan on November 22nd 2019 in 135-36 and 120 rollfilm formats. According to the press release (Japanese…
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Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary work camera is almost always a digital body. While I love the consistently excellent results that I have been able to get with digital cameras, I have missed the beautiful…
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5 Frames… With Fujicolor Reala 100 (El 100 / 120 format / Mamiya C3)
After a great deal of thinking I finally got a TLR in my kit. A Mamiya C3, and Mamiya-Sekor 80mm f/2.8 from a thrift shop in Mumbai. The camera had to undergo a good amount of servicing since there was a problem with the film advancing mechanism. After it had been serviced it was time…
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EMULSIVE interview #207: I am George Quiroga and this is why I shoot film
Up for this week’s fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years — above ground and underwater. There’s some great reading below and suitably fantastic photography to boot. So with that, it’s over to George… Hi George, what’s this picture, then? GQ: This image is…
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Camera review: Polaroid Automatic 100 Land Camera
In 1963, the Polaroid Corporation introduced the Automatic 100 Land Camera (also known as the Model 100). Named after Polaroid co-founder and genius inventor Edwin Land, the Land Cameras would go on to be a successful line of cameras for the company, produced in one form or another until the early 2000’s. The Automatic 100…
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5 Frames… With Fujicolor C200 (EI 800 / 35mm format / Nikon F3)
I asked opinions about pushing consumer color films like Kodak Pro Image 100 in one of my local forums but most people said it is not worth pushing them because those are “just” regular consumer films. Anyway, I decided to experiment myself and see if I liked how things turned out. Instead of using Kodak…
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Film review: Kodak Gold 200 vs Fujicolor C200 comparison
I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.
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EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film
If you spend any time checking out landscape photographers online – especially if you’ve been eyeing up 6×17 format photography – you will no doubt have come across the work of today’s interviewee, Jeremy Calow.
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Compact camera mega test: The Fujifilm DL Super Mini (aka Fujifilm Tiara), the upmarket MJU?
Fujifilm made some nice mid-range compacts, but inexplicably, they are priced like premium compacts. I couldn’t bring myself to pay the prices being demanded for a Natura Classica or a Klasse.
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Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
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Travelogue: Walking through Europe captured on film Prague to Lugoj
To take you on this journey, I’m sharing with you my contact sheets and pulling out a few of the finished photographs from each.
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The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
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An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…