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Tag: Fujifilm Fujicolor C200

Packing light for the Congo: Two countries, one river, eight film...

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...

5 Frames With Fujicolor C200 (EI 800 / 35mm /...

I asked opinions about pushing consumer color films like Kodak Pro Image 100 in one of my local forums but most...

Film review: Kodak Gold 200 vs Fujicolor C200 comparison – by...

I was a Kodak Gold 200 user forever. I'm not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom's camera bag from a young age.

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

EMULSIVE Interview #201: I am Allysse Riordan and this is why...

Welcome to a fresh instalment of my "...this is why I shoot film" series!

EMULSIVE’s most popular articles of 2018

It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?

5 Frames With… Fujicolor 200 (EI 200 / 35mm / Nikon...

Fujicolor cross processes as a wonderful black & white film with great tonality and nice grain.

EMULSIVE Interview #193: I am Lee Gavin and this is why...

I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what's this picture, then? Memory - Fuji Fujicolor 200 LG: Having always been fascinated

5 Frames With… Fujicolor C200 (El 100 / 35mm / Nikon...

Fujifilm's Fujicolor C200 is one of my favorite film stocks, it seems to love the bright Hawaiian sun, whether shooting at the beach or in the mountains.

Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm...

Sheaves Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8 SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

Photography: 12 kilos – Shot on Fujicolor C200 at EI 200...

12 kilos Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8 12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200

The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.

5 Frames With… Fujicolor C200 (EI 200 / 35mm / Pentax...

I've been into photography for about two years, using a digital Canon. I was doing mostly long exposures and street photography.

5 Frames With… Fujifilm Fujicolor C200 (El100 / 35mm / Pentax...

When I started my path of analog photography somewhere in 2012, my first film stocks were widely available Fujifilm consumer grade films - mostly Fujifilm Superia 200 and Fujicolor C200.

EMULSIVE interview #177: I am Clara Araujo and this is why...

It's my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven't already done so, please do check out her take on portrait photography and double exposure portraiture.

EMULSIVE interview #161: I am Ante Prskalo and this is why...

I'm very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal. Over to you, Ante!     Hi Ante, what's this picture, then? AP

Film stock review: AgfaPhoto Vista Plus 200 – 35mm format

AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).