Fujifilm FUJICOLOR C200


5 Frames… Of my daughter a few weeks before harvest in Tirora on Fuji C200 (35mm Format / EI 200 Canon FTB QL + Canon 50mm f/1.4) – by Prabhahar Raja

Hi, I’m Prabhahar Raja from India. I see myself as a passionate photographer although my profession is nowhere related to that passion. I have been …

Read more5 Frames… Of my daughter a few weeks before harvest in Tirora on Fuji C200 (35mm Format / EI 200 Canon FTB QL + Canon 50mm f/1.4) – by Prabhahar Raja

Mu Canon SURE SHOT MULTI TELE - Christopher McTaggart

72 frames per roll: The surprisingly sharp Canon SURE SHOT MULTI TELE

I’ve enjoyed shooting half frame 35mm film photography for quite some time now. Of course, being a broke college student, the thought of 72 photos …

Read more72 frames per roll: The surprisingly sharp Canon SURE SHOT MULTI TELE

Essay: It's all been done before so why bother taking photographs

Essay: It’s all been done before so why bother taking photographs?

I’m constantly getting back to this thought and feel it’s about time to share something with you that comes very close to my inner monologue. …

Read moreEssay: It’s all been done before so why bother taking photographs?

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

EMULSIVE's most popular film stock reviews of 2019

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …

Read moreEMULSIVE’s most popular film stock reviews of 2019

Canon AE-1 with and Canon FD 50mm f/1.8

5 Frames… With pushed Fujicolor C200 (EI 800 / 35mm format / Canon AE-1) – by Piper McManamon

I’ve been told millions of times over – DO NOT PUSH COLOR FILM. Color shifts, grain issues, and just generally bleh images can occur. I’ve …

Read more5 Frames… With pushed Fujicolor C200 (EI 800 / 35mm format / Canon AE-1) – by Piper McManamon

Four years and counting: Un Giro D’Italia - touring Italy or, a never-ending project - by Ed Worthington

Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project

Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long term thing, in …

Read moreFour years and counting: Un Giro D’Italia – touring Italy or, a never-ending project

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Film review: Kodak Gold 200 vs Fujicolor C200 comparison - by Dan Marinelli

Film review: Kodak Gold 200 vs Fujicolor C200 comparison – by Dan Marinelli

I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.

Reviewing the CONTAX AX: autofocusing manual focus lenses

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…

Minolta SRT101 - Fujifilm Superia X-TRA 400 - Bristol

EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film

Welcome to a fresh instalment of my “…this is why I shoot film” series!

EMULSIVE’s most popular articles of 2018

It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

Human Future - Kodak Ektar 100

EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film

I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK.

Over to you, Lee.

Hi Lee, what’s this picture, then?

Memory – Fuji Fujicolor 200

LG: Having always been fascinated

Sheave - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)

Sheaves

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

12 kilos - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: 12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)

12 kilos

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

Film review - Kodak ColorPlus 200 and Fuji Fujicolor C200 Compared

Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200

The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.