I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip to Russia. If you are going for a photo trip (after the obvious COVID restrictions are lifted), I highly suggest Sunday mornings between 8-10am. Weekdays will be hell as you’re […]
Category: Reviews
Find all EMULSIVE reviews, covering photographic films, cameras, lenses, bags and other film photography gear, hardware and software, right here.
Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]
Camera review: The Dora Goodman SCURA pinhole experience
One day I came across a post on Facebook by a fellow “pinholer” showing their recently acquired SCURA 35mm panoramic pinhole camera. I own several pinhole cameras but none are 35mm. I was intrigued by the film size and the fact this camera was designed to create 60x25mm panoramic images. The creator, Goodman Lab, also […]
Leica R6 Review; Like recommending an Aston Martin
The secret behind Leica’s R series is that their optical formulas for their SLR lenses are the same as their famous M mount lenses. A 50mm f/2 Summicron is made by the same people, with the same materials, in the same factories whether it is on an M6 or an R6. The R counterparts go […]
Croatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160
No matter where I’m heading travel-wise, I always make a point of doing some sort of online recce before I depart. I think It gives you a visual understanding of the geographic layout and nature of the country you’re heading to and Croatia wasn’t a country I’d travelled to before. This online point of reference […]
Camera review: The unlovely (but very good) Pentax MZ-S
First an admission, I am an accidental Pentaxian. Like thousands of others, quite by chance I first learned to shoot film on a Pentax K1000. Since then many other Pentaxes have passed through my life: Spotmatic II, KM, MX, LX, 645n, both the 67 and 67ii and the MZ-S of course (twice!). The attraction is […]
Night photography with the MiNT Camera Instantkon RF70 and Fujifilm Instax Wide film
There have been few opportunities for me to take the Instax Wide format MiNT Camera Instantkon RF70 on a night shoot, a favourite activity of mine. With the “iso” in Sydney having lifted in June, I was excited to have an opportunity to see what it could really do in low light. The Instantkon RF70 […]
Building the CAMERADACTYL Brancopan
“Are you drilling?” asked my bleary-eyed wife, coming out of the bedroom of our small apartment at 1:30am. My desk was cluttered with tools, plastic shavings, and a half-completed CAMERADACTYL Brancopan 3D-printed camera. Of course I was drilling: the Brancopan has 27 fasteners with 1,094 thread revolutions, and there was no way that I was […]
The Leica M3: 5 reasons why it’s the greatest camera ever
The Leica M3 doesn’t do anything that another camera can’t. In fact, by today’s standards, it is severely lacking in features that are normally considered standard. No light meter. No hot shoe. No autofocus. No automatic exposure. Limited frame line selection (50/90/135). 1/50 max flash sync speed… On paper then, one might ask why anyone […]
My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime experience with film (going back to childhood), I’ve mostly shot slide film, and we had those traditional slide shows with Family and Friends because my mother used the original EKTACHROME from […]
Expired Film from 1987! Kodacolor VR 400 and the Contaflex Super (New)
Discovered in the depths of the cellar this film from 1987. My oh my expired, brittle and a pain in the major to develop and scan. Nonetheless, its finally done! Video and Images of my adventure across an alpine pass and up to the Ramsau am Dachstein plateau from some images taken with the Contaflex […]
The Cocotte Fred: One bag to rule them all
I’ve been remiss in writing on this blog, and for that I apologize. I return to form in a new year with a review to share. I’ve been searching for years for the right bag. Not just a camera bag, because those are thick on the ground. I use a camera bag differently than some, […]
Zenza Bronica ETRS: Not exactly the poor man’s Hasselblad
The Bronica has been described as the poor man’s Hasselblad. That is just wrong, as I hope to demonstrate through this article. When I began my journey back to film photography, I looked at Rolleiflex cameras first, but finally settled on the Hasselblad 500C/M — of which I have two now. I recently decided to […]
Rolleinar: it’s German for Sorcery
Lots of chatter about Rolleinars lately, I’ve only had mine since October ’15. A Rolleinar is a set of close-up lenses that fit on the front of your Rolleiflex. This shortens the working distance to your subject at the cost of minimal distortion and arguable loss of quality. The magnifier goes down below on the taking […]
Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]
Yashica-B review: the lovable “rare” TLR camera
I’ve been fascinated with Twin Lens Reflex (TLR) cameras ever since I can remember, and even before I knew what a TLR was — I just knew them as these beautiful, quirky little photograph-taking boxes that appeared in the hands of famous and not-so-famous people dressed in 1950s and 60s attire. They had appeal, they […]
An in-depth guide to: The Leica M6 TTL
Made for only four years between 1998 and 2002, the Leica M6 TTL was the successor the 1984-98 Leica M6 and brought with it a couple of new party tricks: an ergonomically designed shutter speed dial and TTL flash metering. That huge shutter dial might not seem like a big deal today, in fact, you […]
NOT Being Vivian Maier: NOT really a Rolleiflex 2.8F camera review
It has nearly been 12 months since I got my hands on my Rolleiflex 2.8F, and whilst I’m not usually a reviewer of equipment, I’d like to share my experience of using this iconic camera and the inspiration behind me finally owning one. Like many who were first made aware of the story of Vivian Maier, I was completely […]
72 frames per roll: The surprisingly sharp Canon SURE SHOT MULTI TELE
I’ve enjoyed shooting half frame 35mm film photography for quite some time now. Of course, being a broke college student, the thought of 72 photos in a roll is quite intriguing. However, it’s not all about the money; I feel that this “abundance” of shots also provides a new perspective when walking around and shooting. […]
Why I love Twin Lens Reflex cameras: A quick Mamiya C220 Professional review
As the title suggest this article is a love letter to TLR cameras, specifically the Mamiya C220. Before I get to that, I’d like to start with a little personal history. When I first got into film photography back in 2002, My parents bought me my first SLR, a CANON EOS 300. Boy was it […]