British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.
Most people will never see, hold, or use the Bronica S2A's Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton's authoritative Bronica S2A book "Bronica: The Early History and Definitive Collector's Guide" lists only five known copies.
Both these little cameras get a lot of love and I think they deserve it.
About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.
What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
If you want my Cliff notes on the Impossible/Polaroid Originals SX-70 Film - here they are: It’s shit - but it’s the only shit we got.It’s useful today in a way the old stuff wasn’t back then. Allow me
Disclaimer: Unlike most film reviews that have comparison shots of the same subject, taken under different settings and exposure values, this review will feature a set of photos that show the film's capability to perform under different lighting conditions.
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
The Pentacon Six TL is a phenomenon of a camera.
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
The F2 was Nikon's mechanical, manual flagship camera of the 1970s.
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Some weeks ago I got a call from Dan K asking if I was interested in reviewing his new photo book, "The Latent Image".
The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.
Flawless finish, consistent operation and engineered like a fine timepiece, the BOMM V810 is a wonder of thought, effort and passion...and my new 8x10 workhorse.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.