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The Hasselblad V-System master guide: an overview

The Hasselblad V-System Master Guide, a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this...

Camera review: Mamiya RB67 Pro-S – by Scott McClarin

What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today. It’s a bellows focus medium format film SLR released...

Scanner review: OpticFilm 8200i SE 35mm film scanner – by Olli...

When I was fifteen I wanted a Nikon FM. A couple of months ago, some forty years later, I finally bought one – actually...

Camera review: Canon EOS-1 – by Juan Gauna

I brought the Canon EOS-1 a couple of years ago and among all of the cameras that I have had and have been able...

Camera review: Bronica SQ-Ai – by Adrian Vila

Just a few months ago, I was happily shooting digital. But my work was lacking something. Soul, perhaps. And I was getting tired of...

Finding Film part 12: Ilford Delta 100 and 400 Professional

Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on, make a brew, and settle in. This...

Double review: Voigtlander Vito B & Apparate & Kamerabau Akarette II

This review consists of a comparison between my experience of using two seemingly very similar cameras, the Apparate & Kamerabau Akarette II - one...

Camera review: Zenza Bronica ETRSi – by Denys Trofimchuk

Today I'm going to be talking a little about my Bronica ETRSi kit, a camera I came to after my first proper step into...

Finding film part 11: ILFORD SFX 200

Welcome back to another round of #FindingFilm! At the time of writing, it has been a while since I have been out with the...

Film review: Film Washi S 50 ISO (35mm) black and white...

The film cassette label states that the S stands for Sound Recording Film. I wondered how a film designed for making movie sound tracks...

Camera review: Mamiya C220 Professional TLR

The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it that I don’t like. Well, not much -...

Film review: ILFORD HP5 PLUS in 35mm, 120 and sheet formats

It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to...

Film review: Rollei Vario Chrome color slide film in 35mm format

It's time to lift the veil on my thoughts about Rollei Vario Chrome, a "new" slide film officially announced in June 2017 and available...

Camera review: Fuji GA645i – “The Portrait Machine”

In this piece, I will be reviewing the Fuji GA645i 6x4.5 medium format camera. It's my personal story on how I came to acquire...

Film Comparison: Bergger Pancro 400, JCH Streetpan 400 and Rollei RPX...

The past 15 years or so have not been easy for film photographers: Most photo labs have closed their doors, major brands no longer...

Finding Film part 10: Rollin’ Rollei Retro 80S and 400S

Hello again! It’s that time of the month where I check out another type of black and white medium format film. For this article,...

Film stock review: Lucky New SHD 100 Part 3 – 35mm...

Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at...

Magazine review: Kodachrome Magazine Issue 1

Kodachrome, subtitled "Art.Film.Analog.Culture", is an 84 page magazine created by Kodak focussing on (largely) analogue creativity. Opening with an article titled "Seeking Slow", the new...

Film stock review: JCH Streetpan 400 Part 1, 120 format EI...

Having shot and experimented with a fair bit of 35mm JCH Streetpan 400 this past year or so, it's no secret that I've been...

Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of...