This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
In the summer of 2017 I decided that I needed a new pinhole camera.
One of my favorite things about shooting film is that I can make multiple exposures, which are photographs that contain 2 or more images on the same frame.
Welcome back to this guide on building your own JOBO-style automatic film processor.
I have always wanted a Jobo film processor.
Every year on the summer solstice, the sun is higher in the sky than at any other time in the year.
Congratulations, if you are reading this article then you are (hopefully!) willing to take the next step in your film development adventure.
Black and white printing is (obviously) fun, and easy to get into.
Welcome to the sixth and final part of the AEROgraphic project series.
Welcome to part five – the penultimate part – of the AEROgraphic project. In this article you will finally be finishing your build.
Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.
Welcome to part three of the AEROgraphic Project!
There’s no time for preamble, as this is where things start to get really interesting (and fun).
Welcome back for part two of the naked Aero Ektar Speed Graphic project.
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
This article covers making and experimenting with redscale film at home.
You might remember that we featured an interview with Robert Marsters some months ago.
We’re incredibly proud to bring you the first in what will hopefully be a new series of articles focused on providing a more educational look at certain aspects of film photography.
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak’s 250D (Vision 3 5207) motion picture stock in 65mm format.
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It’s a great read for those of you who are thinking about dipping