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Month: June 2017

Nice perch – Ilford Delta 100 Professional (35mm)

Nice perch Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Photographic education goes beyond the camera – by Shaun La

Teaching and learning are not bounded by institutions with classrooms. But the classroom should not be underestimated, either. With photography, we are in an unfamiliar space. The camera can be in a device that can accept and make out phone calls, write e-mails, or layer out digital maps for us who are new to an area. It can be more about the device’s gadgets; whereas, the camera is an option, not the complete instrument. Alongside this unfamiliar space in photography, there is the marketing that anyone can teach photography. You could turn right or left while surfing the Internet...

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I am 苦 / I am kǔ / I am bitter – Oriental Seagull 400 (35mm)

I am 苦 / I am kǔ / I am bitter Shot on Oriental Seagull 400 at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Camera review: me and my Zenza Bronica S2A by Ed Worthington

Hello again, it’s The 6 Million P Man here back after my review of the Yashica-D with another offering from my (not quite extensive but close enough) camera collection, another delight of the medium format variety, the Zenza Bronica S2A.     Let’s start with a little bit of history Zenza Bronica first started making cameras in 1958 when Zenzaburo Yoshino (awesome name yeah?) introduced his first 6×6 medium format SLR, the Bronica Z at the Philadelphia Camera Show. He’d invested nearly all his company’s money into the design and manufacture of the body and had to outsource lenses...

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Shrooming – Kodak EKTACHROME 200 – E200 (120)

Shrooming Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Spent – Kodak EKTACHROME 200 – E200 (120)

Spent Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Hung to dry – Kodak EKTACHROME 200 – E200 (120)

Hung to dry Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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#NEOPANTASTIC May 2017 – winner announcement

Welcome to the winner announcement for the first and sadly only #NEOPANTASTIC of 2017. Voting for your favourite submission of the month started on Tuesday June 13th and closed on the 18th. Over the course of those seven days we received a total of 62 votes and it was close, very close indeed. There were only four votes separating first, second and third place, with third place ending up as a tie. As with all of these parties, the quality of submissions was incredibly hightThere were some fantastic photographs posted during post week and it was a close call. Thanks to everyone...

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Don’t fret – Kodak EKTACHROME 100VS – E100VS (120)

Don’t fret Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Featured Project: Salad Days – A period of inexhaustible brash exuberance by James Grundy

Quiet rural towns offer little in the form of excitement for those stricken with terminal misbehaviour. They are a poor sanctuary to those with a sickening passion to live. I felt this energy as I moved back to my home town after being away for 4 years, found a new group of friends, and a photography project fell directly into my lap. this was the beginning of Salad Days. I shot all the photographs on my Canon AE-1 program with a 50mm f/1.8 lens. The film used varied between Kodak T-MAX 400 and Kodak Tri-X 400, always shot at...

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Capped – Shot on Kodak T-MAX 400 – TMY-2 (120)

Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.    ...

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港 / xiàng / lane – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

港 / xiàng / lane Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Black eye – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Black eye Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Me and my camera: Nagaoka 4×5 – Andrew Sanderson

Today I’m going to be reviewing my Nagaoka 4×5, a compact 4×5 field camera designed and built in the 1970’s by Nagaoka Seisakusho in Tokyo. This camera and its siblings (the Nagaoka 8×10 and 9×12) were conceived as “the most portable, the most compact large-scale wooden cameras”. A name that the 4×5 certainly lived up to at the time. If you have never used a large format camera before, they can be daunting, and even confusing. Operating one for the first time is quite a different experience to shooting 35mm or medium format film. Large format cameras can not typically...

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Half (a) mast – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Half (a) mast Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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LOSER – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

LOSER Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Slumber – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Slumber Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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#NEOPANTASTIC: Best of May 2017

Welcome to the best of #NEOPANTASTIC May 2017. As selected by myself and the party’s moderation/judging panel (details in the NEOPANTASTIC Twitter bio. Speaking of which, hats off to the team for doing such a great job spreading the word and helping to build discussion and conversation over the course of the month the party ran this year. It felt like we had been going for months (in the best possible sense!) We had a little over 272 entries over the course of shoot week and to say that the quality of submissions was high is a bit of an...

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Prayer vines – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Prayer vines Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Close-up photography challenge with Kodak VISION2 250D by Sandeep Sumal

Back towards the end of 2016 and early 2017 EMULSIVE asked the film community what type of articles we would like to see in 2017. I suggested maybe he challenged photographers to shoot in a style that was opposite of what they normally do. Little did I realise that EM’s first response was to challenge me to shoot in a different style and me the first victim, sorry I mean willing participant. Grudgingly agreeing to do it, the first step was to choose what type of photography I was going to be challenged to shoot. It turns out close-up...

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