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    • 5 Frames…Produced in conjunction with Hamish Gill over at 35mmc.com, find all #5Frames articles here. Exploring the beauty of film photography stocks, five frames at a time.
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  • Ultreia: Making pilgrimage to Santiago de Compostela
    In: Articles, Featured

    Ultreia: Making pilgrimage to Santiago de Compostela

    By

    Gabriel Wisniewski

    There are a few moments in a man’s life that are truly capable of changing him in the depths of his being. Whether through pain or peace, sadness or joy. For a photographer like me, the feelings that arise over the years gradually become part…

  • I5 Frames…, Articles

    5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge

    Nik Stanbridge
  • I5 Frames…, Articles

    5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film

    Dylan Scillia
  • IArticles, Featured, News

    New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film

    EM
  • IAll Reviews, Articles, Film camera reviews, Yashica film camera reviews

    My First Roll… With a Yashica Mat 124G

    Antonio Miše
  • IArticles

    The Contax 645: Not just a wedding camera

    Tom Sebastiano
  • EMULSIVE Santa 2021
    IArticles, Featured, Secret Santa

    EMULSIVE Secret Santa 2023: Registration for year 9 is open until November 19th

    EM

More articles

  • Lomography all 120 film landscape
    IArticles, Featured, News

    Deep price cuts on fresh 120 film from Lomography as of October 18th 2023

    EM
  • IArticles, Featured, Featured projects

    Beacons Through Time: East Coast US lighthouses captured on solargraphs

    Christian Fiedler
  • I5 Frames…, Articles

    5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M

    abel M
  • I5 Frames…, Articles

    5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt

    J Balcourt
  • IAll Reviews, Articles, Featured, Film stock reviews, Fujifilm Film Stock Reviews

    Film stock review: Three rolls with “Made in USA” Fujifilm 400

    Mark Frey
  • I5 Frames…, Articles

    5 Frames… Of the peripheries of Boston on JCH StreetPan 400 (35mm Format / EI 200 / Pentax K1000 + SMC Pentax-A f/2 50mm) – by Anthony L. Barron

    Anthony L. Barron

Film photographer interviews

  • EMULSIVE Interview: I am Daniel Boklage and this is why I shoot film
    IArticles, Film Photographer Interviews, Interviews

    EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film

    EM
  • EMULSIVE Interview #227 - I am Lucy Ridges and this is why I shoot film
    IArticles, Featured, Film Photographer Interviews, Interviews

    EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW)

    EM
  • Canon A1- FDn 50mm f/1.4 - Fuji Superia X-TRA 400
    IFilm Photographer Interviews, Interviews

    EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film

    EM
  • Andrea Bianchi - Hasselblad SWC - Fujichrome Provia 100F Expired and X process
    IFeatured, Film Photographer Interviews, Interviews

    EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film

    EM
  • Lifeguard
    IFilm Photographer Interviews, Interviews

    EMULSIVE Interview #224: I am David Imel and this is why I shoot film

    David Imel
  • Shot on Nikon F2 in 2019, hand printed selenium toned and hand coloured. London

    IArticles, Featured, Film Photographer Interviews, Interviews

    EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)

    EM

Guides and how-tos

  • How-to: Make DIY your own black and white transparencies (slides) - by Stephen Riley
    IArticles, Featured, Guides & How-Tos

    How-to: Make DIY your own black and white transparencies (slides)

    Stephen Riley
  • IArticles, Featured, Guides & How-Tos

    How-to: Convert an automatic Polaroid pack film camera to use manual shutter speeds

    Jim Skelton
  • IAll Reviews, Articles, Film camera reviews, Guides & How-Tos

    “Faux” Panoramic Camera Mods with the Ansco Pix Panorama

    Nicholas Morganti
  • The Polaroid BigShot
    IArticles, Darkroom, Featured, Guides & How-Tos

    How-to: Shoot Fujifilm Instax on a Polaroid BigShot

    Nicholas Morganti
  • IArticles, Featured, Guides & How-Tos

    How-to: Shoot 120 & 35mm film in a Polaroid pack film camera

    Jim Skelton
  • How-to: Develop paper negatives "out and about" with a field development kit - by Jim Skelton
    IArticles, Darkroom, Darkroom printing, Featured, Guides & How-Tos

    How-to: Develop paper negatives “out and about” with a field development kit – by Jim Skelton

    Jim Skelton
  • How-to: Shoot paper negatives with a Polaroid pack film Land Camera
    IArticles, Featured, Guides & How-Tos

    How-to: Shoot paper negatives with a Polaroid pack film Land Camera

    Jim Skelton
  • IArticles, Featured, Featured projects, Guides & How-Tos

    Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job

    Jim Skelton

Latest film camera reviews

  • IAll Reviews, Articles, Film camera reviews, Yashica film camera reviews

    My First Roll… With a Yashica Mat 124G

    Antonio Miše
  • IAll Reviews, Articles, Film camera reviews, Guides & How-Tos

    “Faux” Panoramic Camera Mods with the Ansco Pix Panorama

    Nicholas Morganti
  • Film camera review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film
    IAll Reviews, Articles, Featured, Film camera reviews, Film stock reviews, Lomography film camera reviews, Lomography Film Stock Reviews

    Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film

    Anna Shotadze
  • IAll Reviews, Articles, Featured, Film camera reviews, Lomography film camera reviews

    Camera review: Loving Lomography’s New LomoApparat 21mm wide-angle camera

    Aislinn Chuahiock
  • IAll Reviews, Articles, Exakta film camera reviews, Film camera reviews

    Camera review: The Exakta TL 1000

    Bill Watts
  • Zeiss Ikon Contaflex Super
    IAll Reviews, Articles, Film camera reviews, Zeiss Ikon film camera reviews

    Opinion: Why did Zeiss stop making cameras?

    Gavin Lyons
  • IAll Reviews, Articles, Canon film camera reviews, Film camera reviews

    Mini-review: The Canon A-1 in Thailand

    James Patrick
  • Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm
    IAll Reviews, Articles, Film camera reviews

    Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of)

    Martin Siegel

Latest film stock reviews

  • IAll Reviews, Articles, Featured, Film stock reviews, Fujifilm Film Stock Reviews

    Film stock review: Three rolls with “Made in USA” Fujifilm 400

    Mark Frey
  • IAll Reviews, Articles, Film stock reviews

    Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white film

    Tim Stephens
  • Film camera review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film
    IAll Reviews, Articles, Featured, Film camera reviews, Film stock reviews, Lomography film camera reviews, Lomography Film Stock Reviews

    Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film

    Anna Shotadze
  • IAll Reviews, Articles, Featured, Film stock reviews

    Film stock review: Santa Color 100

    Rick Davy
  • IAll Reviews, Articles, CineStill Film Stock Reviews, Featured, Film stock reviews

    Film Stock Review: CineStill 400D

    Ryan Gabbard
  • My Nikon F3, MD-4 Motor Drive, Nikkor 50mm f/1.8 AI-S, Dorothy Key 3
    IAll Reviews, Articles, Film stock reviews, Kodak Film Stock Reviews

    Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key

    Dorothy Key
  • IAll Reviews, Articles, Featured, Film stock reviews, Kodak Film Stock Reviews, Opinion

    My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200

    Nick Orloff
  • Cover: Film review - ADOX HR-50, a high-resolution film with a boost
    IADOX Film Stock Reviews, All Reviews, Articles, Film stock reviews

    Film review: ADOX HR-50, a high-resolution film with a boost

    Astrid Robertsson

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Recently published

  • Ultreia: Making pilgrimage to Santiago de Compostela
  • 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
  • 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
  • New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
  • My First Roll… With a Yashica Mat 124G
  • The Contax 645: Not just a wedding camera

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Among other wonderful things, EMULSIVE is a space for film photographers of all backgrounds, from all over the world to spread knowledge, experience and thoughts about everything related to film photography.

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