Leica


Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

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Selfie - Fujifilm NEOPAN 100 ACROS pushed to EI 400 - Leica M6 + Summicron 35mm

EMULSIVE interview #188: I am Ted Vieira and this is why I shoot film – NSFW

Today’s interviewee is the man once described as “the man with the silkiest voice you’ll ever hear” (by me), Ted Viera. Trust me, I’m not wrong on this one.

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Tony holding Tony

EMULSIVE interview #185: I am Tony Vaccaro and this is why I shoot film

It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it in his role as World War II combatant and documentarian, or his post-war work in fashion and portrait photography.