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Why shoot film part 2: seeking the Hasselblad XPan – by...

It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.

Photography: The Buddha of Immeasurable Life and Light – Shot on...

The Buddha of Immeasurable Life and Light Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed          

Travelogue: Hong Kong by Edwin Monico

I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it.  It’s one of my favorite websites for film photography.  I travel a lot and I even download pages when I am traveling

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800...

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review. In her infinite wisdom

Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200...

Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review          

Photography: Got…that…itch… – Shot on ILFORD FP4 PLUS at EI 125...

Got...that...itch... Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format          

Photography: Urgent business – Shot on Cinestill 800T (35mm)

Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format          

EMULSIVE interview #169: I am Darren Kelland and this is why...

Welcome to this week’s EMULSIVE interview.

Photography: Down the canal – Shot on Cinestill 800T (35mm)

Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format          

Photography: Lunch for three – Shot on ILFORD FP4 PLUS at...

Lunch for three Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format          

EMULSIVE interview #168: I am Christopher P. Michel and this is...

Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.

5 Frames With… Kodak Gold 200 (EI 200 / 35mm /...

When I was in Japan, I used to get up early. Coffee, shower, and I was soon in the streets, with my Leica M2.

Photography: Just a small one – Shot on Cinestill 800T at...

Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format          

EMULSIVE's most popular film camera reviews of 2017

I'm back with the second in this series of end-of-year-lazy-posts.

Photography: Immersed – Shot on Cinestill 800T at EI 800 (35mm)

Immersed Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format          

EMULSIVE interview #166: I am Fabian Schmid and this is why...

You might remember today's interviewee from part one of his beautiful 2017 travelogue.

EMULSIVE interview #163: I am Antonio Lastoria and this is why...

Regular readers should be familiar with the recent #5FramesWith article by today's interviewee.

Photography: No flyers – Shot on Kodak Plus-X 125 (35mm)

No flyers Shot on Kodak Plus-X 125 at EI 100 Black and white negative film in 35mm format          

Photography: Full spread – Shot on Fuji Pro 400H (35mm)

Full spread Shot on Fuji Pro 400H at EI 400 Color negative film in 35mm format      

Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200...

Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8