When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), …
I’ve found myself with quite a backlog to develop from the last few weeks of sun, but encountered an issue I hadn’t really faced before …
Read more5 Frames… Of stand developed ILFORD HP5 PLUS in DD-X at 30°c – by Simon King
The Leica M6 — also commonly known as the Leica M6 Classic or Leica M6 Non-TTL — is a 35mm film rangefinder camera designed and …
Read moreAn in-depth guide to: The Leica M6 (aka M6 Classic / M6 Non-TTL)
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories …
Read moreEmbracing accidents: An unexpected double exposure collaboration
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at …
Read moreLearning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
I started shooting film in a middle school photography class, where we bulk-loaded Tri-X and developed and printed in the darkroom there. Our teacher, Mr …
FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that expired in 2004 …
I’ve always been a little scared of the 28mm focal length (on 135 film/full frame digital). Although perhaps I should say, a little scared and intrigued by it.
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
You’ll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.
I’ll keep this short so you can spend as much time as possible on the images below.
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
You might remember today’s interviewee from part one of his beautiful 2017 travelogue.
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
Have we got a treat in store for you today.
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
Into the canopy
Fuji Pro 400H shot at EI 400
Color negative film in 35mm format
