Leica M6
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the...
A Day in the Life: London Street Photography with the Leica M6
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
My return to film: Tim Roper
I started shooting film in a middle school photography class, where we bulk-loaded Tri-X and developed and printed in the darkroom there....
Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by Simon King
FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that...
Thinking in 28mm: Learning to love wide – by Timothy Roper
I’ve always been a little scared of the 28mm focal length (on 135 film/full frame digital). Although perhaps I should say, a little scared and intrigued by it.
5 Frames… With ADOX HR-50 (EI 50 / 35mm format / Leica M6) – by Jens Kotlenga
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
5 Frames… With Kosmo Foto Mono (EI 100 / 35mm / Leica M6) – by Barnaby Nutt
You'll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian.
I'll keep this short so you can spend as much time as possible on the images below.
5 Frames… With Kodak EKTACHROME 64T (EI 64 / 35mm format / Leica M6) – by Etienne Despois
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
My return to film: Andrew Whitehurst
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
Travelogue: Hong Kong by Edwin Monico
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
EMULSIVE interview #166: I am Fabian Schmid and this is why I shoot film
You might remember today's interviewee from part one of his beautiful 2017 travelogue.
EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I'm incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week's EMULSIVE interview.
EMULSIVE interview #129: I am Barnaby Nutt and this is why I shoot film
Have we got a treat in store for you today.
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It's a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she's know on Twitter for today's interview. Lilly is a true film photography hero.
Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy
Fuji Pro 400H shot at EI 400
Color negative film in 35mm format
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
