Tag: Leica M6
A Day in the Life: London Street Photography with the Leica...
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
My return to film: Tim Roper
I started shooting film in a middle school photography class, where we bulk-loaded Tri-X and developed and printed in the darkroom there....
Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film...
FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that...
Thinking in 28mm: Learning to love wide – by Timothy Roper
I’ve always been a little scared of the 28mm focal length (on 135 film/full frame digital). Although perhaps I should say, a little scared and intrigued by it.
5 Frames With… ADOX HR-50 (EI 50 / 35mm / Leica...
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
5 Frames With… Kosmo Foto Mono (EI 100 / 35mm /...
You'll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
Interview #194: I am Ezequiel Grimaldi and this is why I...
I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian.
I'll keep this short so you can spend as much time as possible on the images below.
5 Frames With… Kodak EKTACHROME 64T (EI 64 / 35mm /...
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
My return to film: Andrew Whitehurst
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
Travelogue: Hong Kong by Edwin Monico
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
EMULSIVE interview #166: I am Fabian Schmid and this is why...
You might remember today's interviewee from part one of his beautiful 2017 travelogue.
EMULSIVE interview #145: I am Aislinn Chuahiock and this is why...
I'm incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week's EMULSIVE interview.
EMULSIVE interview #129: I am Barnaby Nutt and this is why...
Have we got a treat in store for you today.
EMULSIVE interview #126: I am Lilly Schwartz and this is why...
It's a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she's know on Twitter for today's interview. Lilly is a true film photography hero.
Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy
Fuji Pro 400H shot at EI 400
Color negative film in 35mm format
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
Photography: Would you like younger looking skin? – Shot on ILFORD...
Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at...
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at...
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
EMULSIVE interview #76: I am Melvin Mapa and this is why...
We often see the phrase "a long time coming" but what does that really mean?
Well, in this case, it's nine months. That's how long we've been working on this with Melvin.
