I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is that while I enjoy writing, I don’t often think that my “reviews” are especially the most I have to offer. I wrote a disparaging follow up to a piece I’d […]
Tag: Leica M6
Posted inArticles
On the set of Netflix’s Bridgerton with Barnaby Boulton and Kodak film
Netflix’s Bridgerton needs no introduction. 82 million households have already seen it, and as I write this, it’s back to being #1 in the United States. It’s been an entertaining, refreshing, and raunchy hug for many souls since Christmas 2020, and I have not encountered such passionate exaltation of a love story since my high […]
Posted inArticles
Focal Length Feud: 28mm vs 35mm for Telling a story – by David Babaian and Simon King
Two street photographers make their case for their preferred wide-angle focal length, explaining what works to fulfill their respective vision.
Posted inBest Of
EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]
Posted inOpinion
Working the Scene from Four Different Perspectives: Protest Photography – by New Exit Photography Group
Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes which are the byproduct of demonstrations, protests, riots, and other manifestations. Crowds offer such a dynamic set of possibilities that I’ve even heard some describe protests as being “cheating,” or “too easy – fish in a barrel.” While it’s […]
Posted in5 Frames...
5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo
When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all […]
Posted in5 Frames...
5 Frames… Of stand developed ILFORD HP5 PLUS in DD-X at 30°c – by Simon King
I’ve found myself with quite a backlog to develop from the last few weeks of sun, but encountered an issue I hadn’t really faced before when developing – the heatwave we’ve been having here in the UK means that all of my chemicals would be quite a bit above the recommended 20°. Temperature is an […]
Posted inLeica Film Camera Reviews
An in-depth guide to: The Leica M6 (aka M6 Classic / M6 Non-TTL)
The Leica M6 — also commonly known as the Leica M6 Classic or Leica M6 Non-TTL — is a 35mm film rangefinder camera designed and manufactured by Leica in Germany between 1984 and 1998. The camera was the successor to the Leica M4-P, which was produced concurrently for the first two years of the M6’s […]
Posted inArticles
Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories and moments and store them on a medium that lasts forever. In Summer 2019 I met Lynn, a junior colorist for one of my projects who turned out to be […]
Posted inLeica Film Camera Reviews
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the wrong place at the wrong time. When the mist cleared a second or two after I hit the tarmac, I found myself with my right arm aloft, still holding a new to me […]
Posted inOpinion
A Day in the Life: London Street Photography with the Leica M6
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
Posted inMy Return to Film
My return to film: Tim Roper
I started shooting film in a middle school photography class, where we bulk-loaded Tri-X and developed and printed in the darkroom there. Our teacher, Mr Truman, was a WWII air force veteran and had a patience and acceptance of life that I think only combat can forge in a person. We had to turn in […]
Posted inFilm stock reviews
Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by Simon King
FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that expired in 2004 and is bulk loaded and sold by the Film Photography Project. The film was apparently very well cold-stored, meaning that it is still very useable without needing to change anything […]
Posted inOpinion
Thinking in 28mm: Learning to love wide – by Timothy Roper
I’ve always been a little scared of the 28mm focal length (on 135 film/full frame digital). Although perhaps I should say, a little scared and intrigued by it.
Posted in5 Frames...
5 Frames… With ADOX HR-50 (EI 50 / 35mm format / Leica M6) – by Jens Kotlenga
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
Posted in5 Frames...
5 Frames… With Kosmo Foto Mono (EI 100 / 35mm / Leica M6) – by Barnaby Nutt
You’ll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
Posted inFilm Photographer Interviews
Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.
I’ll keep this short so you can spend as much time as possible on the images below.
Posted in5 Frames...
5 Frames… With Kodak EKTACHROME 64T (EI 64 / 35mm format / Leica M6) – by Etienne Despois
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
Posted inMy Return to Film
My return to film: Andrew Whitehurst
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
Posted inArticles, Travelogue
Travelogue: Hong Kong by Edwin Monico
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
