Tag: Leica M6
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5 Frames… With Kodak EKTACHROME 64T (EI 64 / 35mm format / Leica M6)
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
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My return to film: Andrew Whitehurst
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
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Travelogue: Hong Kong
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
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EMULSIVE interview #166: I am Fabian Schmid and this is why I shoot film
You might remember today’s interviewee from part one of his beautiful 2017 travelogue.
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EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
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EMULSIVE interview #129: I am Barnaby Nutt and this is why I shoot film
Have we got a treat in store for you today.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
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Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin? ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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EMULSIVE interview #76: I am Melvin Mapa and this is why I shoot film
We often see the phrase “a long time coming” but what does that really mean? Well, in this case, it’s nine months. That’s how long we’ve been working on this with Melvin.
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Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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EMULSIVE interview #70: I am Tim Heubeck and this is why I shoot film
We’re really pleased to have been able to grab some time with the talented Tim Heubeck, a 19 year old photographer seemingly obsessed with black and white film and travel – a nice combination and great for producing the beautiful
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Moment of impact: don’t kill yourself to take a photograph
One Saturday in mid-October 2015 I decided to take a walk over to my preferred film lab and put some freshly developed black and white negatives in for scanning.
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EMULSIVE interview #47: I am Thomas Skrlj and this is why I shoot film
Today I’m sitting down with Thomas Skrlj (pronounced “Skurl”).
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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film