Tag: ILFORD
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Photography: On edge – Ilford Pan F+ (120)
On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
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Working with Paper Negatives – Part 3: At work in a makeshift darkroom
Welcome to part three of my series on photography using paper negatives aka photographic paper! If you’re new to the series, please take a moment to read the preceding parts before diving in.
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Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
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EMULSIVE interview #130: I am Dave Bias and this is why I shoot film
Today’s interview is a bit of a treat, as well as a precursor for things to come.
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EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
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Photography: Into the breeze – ILFORD FP4 PLUS (35mm format)
Into the breeze ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.
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Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)
Taking out the trash ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Steamroom – Ilford FP4+ (35mm)
Steamroom Ilford FP4+ shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops
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Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)
The gatekeeper ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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FP4 Party 2016: epilogue and award announcement
When FP4Party started back in September 2016, the organisers and I had no idea it would turn into the community phenomenon was by the final party month in December 2016. Let me be clear: I don’t use that word lightly
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EMULSIVE interview #125: I am whatsbehindthat and this is why I shoot film
I’m happy to finally bring you an interview with the mind behind black and white Instax photography before there was Instax Mini Monochrome!
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Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
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EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
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The beautiful but maddening Exakta VAREX IIb
You may recall the scene below from Rear Window (1954).
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FP4 Party December 2016 – winner announcement
It’s with both joy and sadness that we announce the winner of December 2016’s #FP4 Party. We said that judging November was tough.
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FP4 Party: Best of December 2016
Welcome to the best of #FP4Party December 2016! This (near) penultimate update for #FP4Party 2016 brings with it a slight melancholy. All good things must some to en end, albeit temporarily in this case.
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push