Tag: ILFORD
-
EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
-
Featured Project: The Tokyo Book
Tokyo is one of my favourite cities and I was keen to produce a series of photos exploring what makes it such a special place. The mixture of different cultural elements and influences in Japan’s capital city seems to have
-
EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
-
EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
I’ve been looking forward to this for a while and in fact…that’s all I’m going to say about it.
-
EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
-
Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta Professional 400, ILFORD Delta Professional 3200, ILFORD SFX 200
Welcome to part two of my long exposure test results.
-
My Return to Film: Antonio Lastoria
…or described another way, “There and back again – almost”. When I started out in photography the closest thing I encountered to digital photography was the Polaroid.
-
Camera review: Minolta Hi-Matic AF
In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus capability.
-
EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
-
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
-
EMULSIVE interview #139: I am Adam White and this is why I shoot film
Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
-
Travelogue: Hong Kong
I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.
-
Camera review: My journey with the Pentax 645
If you are just an old timer still shooting film, or new to the craft, photographing with film encourages one to explore and play with tactile gear and tangible materials.
-
EMULSIVE interview #137: I am Mads Madison and this is why I shoot film
Even if you have a short memory, you’ll remember today’s interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;
-
Photography: Under the eaves – Ilford Delta 3200 Professional (120)
Under the eaves Shot on Ilford Delta 3200 Professional at EI 1600 Black and white negative film in 120 format shot as 6×4.5 Orange #21 filter
-
EMULSIVE interview #134: I am Monika and this is why I shoot film
Finally! That’s all I’m going to say about today’s interview.
-
Photography: Tear it down…tear it all down – ILFORD HP5 PLUS (120)
Tear it down…tear it all down ILFORD HP5 PLUS shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops Read the ILFORD HP5 PLUS review.
-
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
-
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
EMULSIVE interview #131: I am Jessica Hobbs and this is why I shoot film
This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs.