Tag: ILFORD
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Photography: Bowed – Ilford Pan 100 (35mm)
Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format
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FP4 Party November 2016 – winner announcement
Shoot week of the final FP4 Party of 2016 has just wrapped and I expect you’re all hunched over your darkroom gear trying to coax an image from your rolls.
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Featured project: Virgil Roger’s Collages
I’m a photographer. I don’t know how long I have been calling myself that for, and for how long I’ve deserved it — if only I even deserve it.
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Photography: Bring my family back – Ilford HP5+ (120)
Bring my family back Ilford HP5+ shot at EI 400 Black and white negative film in 120 format shot as 6×6
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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FP4 Party: Best of November 2016
Welcome to the 3rd #FP4Party after party, celebrating the #FP4Party that was November 21st-27th 2016. As with FP4 Party September and October 2016, we’d like your help making the selection for your favorite photograph of the week.
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Permission to Create
I am no stranger to self-doubt. In fact, it feels as if I’ve stumbled through most of my life–save for my late teens when most of us think we know everything–with self-doubt at my side.
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EMULSIVE Secret Santa 2016: registration is closed and next steps
Welcome one and all! Thanks to your support and participation, this year’s EMULSIVE Secret Santa is over three times bigger than last year’s inaugural event.
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Pure rot – Ilford HP5+ (120)
Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop
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EMULSIVE interview #115: I am Robert Versteegen and this is why I shoot film
Today we’re very lucky to be able to sit down and pull on a few film photography threads with Robert Verteegen, Eindhoven, NL native and shooter of so-called ordinary things.
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Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
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Camera review: Me and my Ricoh GR1s Date
I work as full-time photographer during the week taking pictures for corporate companies and shooting events, so unfortunately, photography was becoming more and more like work.
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EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film
It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.
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Secret Santa 2016: Sponsor announcement
Hello again! If you’re reading this on November 9th 2016 then there are exactly three weeks left for you to register for EMULSIVE Secret Santa 2016.
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Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.