Tag: Agfa
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EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
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5 Frames… With 1945 expired AGFA ISOCHROM (EI 3 / 120 format / Natasha Convertible Pinhole)
Pinhole photography has a unique charm expressing a kind of slow-down photography for me in this fast moving modern digital world.
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Photography: Burnt guardian – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format
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Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
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Photo story: the photograph as a time machine
I don’t make very many prints. Relatively speaking that is, considering how many pictures I make for myself and as part of my job.
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Why shoot film part 2: Seeking the Hasselblad XPan
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
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EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
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Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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EMULSIVE’s most popular articles of 2017
It’s the final part of this amazing series of listcles.
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EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
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5 Frames… With Agfa Scala 200X (EI 200 / 35mm / Canon F1n)
My five frames were shot with a roll of expired 35mm Agfa Scala 200X at ISO 100. The gear I used was a Canon F1n and a Canon 35mm f/2.8 FD lens and the film was developed in Kodak
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EMULSIVE interview #153: I am Yusuf Wiryonoputro and this is why I shoot film
I’m a huge fan of today’s interviewee, he’s responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
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EMULSIVE interview #143: I am Jacopo Brancati and this is why I shoot film
My short interview hiatus is over and I’m very happy to bring you the words and pictures of a wonderful man and past contributor to EMULSIVE, Jacopo Brancati!
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Camera review: Agfa Selectronic 3
What you see below is my Agfa Selectronic 3, the camera I’m reviewing today. It’s a Pentax K-mount SLR released in 1980 and produced for only a few short years until around 1983.
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EMULSIVE interview #137: I am Mads Madison and this is why I shoot film
Even if you have a short memory, you’ll remember today’s interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;