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5 Frames With… Kodak T-MAX 400 (EI 200 / 120 /...

The Agfa Super Isolette with its Agfa Solinar 75 mm f/3.5 lens is considered by many to be the finest 120 folding...

5 Frames With… ILFORD SFX 200 (EI 200 / 120 format...

In April, I wrote a comparison of three bellows cameras from the 1950s I had bought on eBay: Agfa Record III, Voigtländer Perkeo, and...

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

5 Frames With… Agfa Precisa CT 100 (35mm / EI 100...

On the Summer Solstice of 2017, I took these five photographs on one roll of Agfa Precisa CT 100, my Pentax K1000 and SMC Pentax-M 1/2 50mm lens.

Two out of three. A look at three bellows cameras from...

Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.

5 Frames With… Agfa APX 100 (EI 100 / 4×5 /...

Upon the anniversary of my 50th year on this chunk of dirt, my wife took me to Costa Rica.

Film showdown: ADOX Silvermax 100 vs original Agfa APX 100

Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.

EMULSIVE’s most popular articles of 2018

It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.

5 Frames With… 1945 expired AGFA ISOCHROM (EI 3 / 120...

Pinhole photography has a unique charm expressing a kind of slow-down photography for me in this fast moving modern digital world.

Photography: Burnt guardian – Shot on Wittner Chrome 200 (Agfa RSX200)...

Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format      

Every single film stock still made today – Part 1: ADOX...

Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.

Photo story: the photograph as a time machine – by Erik...

I don't make very many prints. Relatively speaking that is, considering how many pictures I make for myself and as part of my job.

Photography: Latch key kid – Shot on Agfa Scala 200X at...

Latch key kid Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed          

Why shoot film part 2: seeking the Hasselblad XPan – by...

It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.

Photography: The Buddha of Immeasurable Life and Light – Shot on...

The Buddha of Immeasurable Life and Light Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed          

EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why...

January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.

Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200...

Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review          

EMULSIVE's most popular articles of 2017

It's the final part of this amazing series of listcles.

EMULSIVE's most popular film stock reviews of 2017

Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.

5 Frames With… Agfa Scala 200X (EI 200 / 35mm /...

My five frames were shot with a roll of expired 35mm Agfa Scala 200X at ISO 100. The gear I used was a Canon F1n and a Canon 35mm f/2.8 FD lens and the film was developed in Kodak

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