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In April, I wrote a comparison of three bellows cameras from the 1950s I had bought on eBay: Agfa Record III, Voigtländer Perkeo, and...
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
On the Summer Solstice of 2017, I took these five photographs on one roll of Agfa Precisa CT 100, my Pentax K1000 and SMC Pentax-M 1/2 50mm lens.
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
Pinhole photography has a unique charm expressing a kind of slow-down photography for me in this fast moving modern digital world.
Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format
Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
I don't make very many prints. Relatively speaking that is, considering how many pictures I make for myself and as part of my job.
Latch key kid Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
The Buddha of Immeasurable Life and Light Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed
January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
My five frames were shot with a roll of expired 35mm Agfa Scala 200X at ISO 100. The gear I used was a Canon F1n and a Canon 35mm f/2.8 FD lens and the film was developed in Kodak