Kentmere 100 is a cheap film when you compare it to
Tag: Olympus
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
5 Frames… With Yodica Antares (EI 100 / 35mm format / Olympus MJU II)
We all do things as photographers from time to time that make us look back and think “What was I thinking?”.
In January I was on a road trip with the family to see the stunning sunflowers in
How to: Shoot nightlife flash photography with Kodak Ektachrome E100
Using reversal film for flash photography is not the most obvious choice but there are a few characteristics which make using Kodak’s new Ektachrome E100 for flash photography very interesting.
5 Frames… With Kodak Gold 200 (EI 200 / 35mm format / Olympus LT-1)
Just by chance, I saw a Facebook post about Sherry Christensen’s Frugal Film Project in late January. A couple of messages later, I was in.
5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Olympus Trip 35)
I have owned my Olympus Trip for several decades but have never taken it seriously, until lately.
Camera review: the Olympus IS-5000 bridge camera
2002 was a funny time for film cameras.
5 Frames… With ILFORD XP2 SUPER (EI 400 / 35mm format / Olympus XA3)
Surprising as this may be but ILFORD XP2 SUPER is currently my favourite* general-purpose black & white film.
EMULSIVE’s most popular film camera reviews of 2018
Merry Christmas to everyone celebrating today!
5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Olympus MJU-II)
Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography.
Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Olympus XA.
More samples here.
EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film
I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK.
Over to you, Lee.
Hi Lee, what’s this picture, then?
Memory – Fuji Fujicolor 200
LG: Having always been fascinated
My black dog: depression and my photography
Please be aware that some subjects and depictions in this story may be uncomfortable reading. I make no apology for that, but please go into this with your eyes open.
5 Frames… With Bergger BRF 400 Plus (EI 400 / 35mm format / Olympus Trip 35)
Last summer I returned to Scotland for the second time in my life. I still keep the negatives of my first time (1985), some irregular Kodak Tri-X rolls but with some great images.
5 Frames… With Kodak EKTACHROME Infrared EIR (EI 200 / 35mm format / Olympus OM-1n)
I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now. For those of you that don’t know this is a colour Infrared slide film (E6 processing, #SayNoToXPRO).
Four seasons with: Kodak EASTMAN Plus-X 5231
And this is where my journey of home developing begins! After a couple of disappointments – in rapid succession – of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Olympus Stylus Epic)
I moved to Taipei, Taiwan, about one and a half years ago, after seven years in China, two years in Canada and one year in Morocco.
High Speed Journey – Kodak T-MAX P3200 and Kodak Recording Film 2475
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris’s confidence in the market.
5 Frames… With Ferrania P30 ALPHA (EI 80 / 35mm format / Olympus OM-4ti)
This week I happily received a shipment of 10 rolls of this much anticipated film stock. This first roll was shot in early afternoon on a day with cloudy sun.
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.