Tag: Mamiya
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
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EMULSIVE interview #168: I am Christopher P. Michel and this is why I shoot film
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.
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Photography: Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop / Double exposure
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EMULSIVE interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii)
I’ve been using Kodak Portra for about 5 years but wanted something more.
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5 Frames… With ILFORD Delta 3200 Professional (EI 3200 / 120 / Mamiya 645 1000S)
ILFORD Delta 3200 Professional is my favorite black and white film.
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Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
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Camera review: Mamiya 645 1000S
The Mamiya 645 1000S was not my first medium format camera.
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Photo story: ILFORD Delta 100 Professional + Pyrocat HD semi-stand
From the first time I heard about a developer named Pyrocat HD, I was hooked by it is look.
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5 Frames… With Kodak Portra 160 (EI 80 / 120 format / Mamiya RB67)
I almost exclusively shoot on black and white film for the simple reason that I can develop and print it myself in the darkroom.
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EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.
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Film stock review: Rollei Infrared 400
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.
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EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
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Diario di viaggio: Viaggio d’inverno in Finlandia
English version: https://emulsive.org/articles/travelogue/winter-voyage-to-finland-aka-extreme-cold-weather-photography-jacopo-brancati Sono un etnologo e un fotografo specializzato in questioni marittime. Da molto tempo mi focalizzo sulla comunità dei marittimi in Europa.
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Double review: Mamiya Press Super 23 and Mamiya Universal Press
I’m here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.
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My return to film: Jake Bryant
I feel lucky to have grown up with film being my only option to create a photograph. It wasn’t until I travelled through India in 1992, that the world through a viewfinder opened up to me.
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EMULSIVE interview #139: I am Adam White and this is why I shoot film
Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
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EMULSIVE interview #136: I am Marta Beltowska and this is why I shoot film
Today we’re grabbing some time with Marta Beltowska, currently based in London, UK.
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Travelogue: Winter Voyage to Finland aka extreme cold weather photography
I am an ethnologist and a photographer specialised in maritime matters based in France;