Lomography Color Negative 400


5 Frames... With Lomography CN 400 on an uncoated lens (35mm Format / EI 200 / Leica M6 + Voigtländer 35mm f/1.4 Nokton-Classic SC) - by Miguel Melo

5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo

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When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), …

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My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

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What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

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Minolta SRT101 - Fujifilm Superia X-TRA 400 - Bristol

EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film

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Welcome to a fresh instalment of my “…this is why I shoot film” series!

Lomography Color Negative 400 (EI 400, 120), Fujifilm GA645Zi) - Kathleen Johnson

5 Frames… With Lomography Color Negative 400 (EI 400 / 120 format / Fujifilm GA645Zi) – by Kathleen E. Johnson

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Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

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Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Cover - Holga 135BC Review

Camera review: the Holga 135BC – by Lorraine Healy

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When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.

Small hot chilies - Shot on Lomography Color Negative 400 at EI 800. Color negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)

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Small hot chilies
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
 

 
 

 
 

Offaly good - Shot on Lomography Color Negative 400 at EI 800. Color negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Offaly good – Shot on Lomography Color Negative 400 (120)

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Offaly good
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
 

 
 

 
 

Wild pig - Shot on Lomography Color Negative 400 at EI 800. Color negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Wild pig – Shot on Lomography Color Negative 400 (120)

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Wild pig
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
 

 
 

 
 

Strung up - Shot on Lomography Color Negative 400 at EI 800. Color negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Strung up – Shot on Lomography Color Negative 400 (120)

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Strung up
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
 

 
 

 
 

Snack time - Shot on Lomography Color Negative 400 at EI 800. Color negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Snack time – Shot on Lomography Color Negative 400 (120)

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Snack time
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
 

 
 

 
 

Lilly Contact - Mask

EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW

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Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work.
Just in case you need some space, the interview starts below.
Scroll down when you’re ready.
 
 
I’m sitting down with Scott D