Mexico, or perhaps more specifically, Mexico City – the Pure land. Pure not in the sense of not being mixed with any other matter or free from dirt, but pure in the sense of honest, real, unobscured, and unobstructed, something quite scarce in this modern day and age. Maybe unknowingly and unconsciously I was drawn […]
Tag: Lomography Color Negative 400
Photography: Out of service – Shot on Lomography Color Negative 400 at EI 400 (35mm Format)
Shot on Lomography Color Negative 400 at EI 400Color negative film in 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D
Photography: One “Art” please… – Shot on Lomography Color Negative 400 at EI 400 (35mm format)
Shot on Lomography Color Negative 400 at EI 400Color negative film in 35mm format Leica M6 TTL 0.85 and Voigtlander Color Skopar 21mm f/4
5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC)
When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all […]
My first roll of… 35mm film: Lomography CN 400 + the Lomography SuperSampler
In the ’90s and ’80s, everyone shot film. I was barely walking back then and could comfortably fit under a kitchen table standing upright. My dad owned a couple of cameras, so did my grandma and grandpa. I have a few negatives and lots of small prints from that era. But it wouldn’t be fair […]
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101)
“What about Berlin?”, I asked my partner.
We were looking for a city break last October and had no idea where to go.
EMULSIVE interview #197: I am Cat Topham and this is why I shoot film
Greetings from EMULSIVE HQ.
5 Frames… With Lomography Color Negative 400 (EI 400 / 120 format / Fujifilm GA645Zi)
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Film review: Lomography Color Negative 400 in 120 format
I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago.
Camera review: the Holga 135BC
When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Olympus OM-2S) -by Tim Dobbs
My favourite colour negative film is Fuji Reala 100 which was discontinued quite a few years ago (thanks a lot Fuji).
Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.