When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), …
In the ’90s and ’80s, everyone shot film. I was barely walking back then and could comfortably fit under a kitchen table standing upright. My …
Read moreMy first roll of… 35mm film: Lomography CN 400 + the Lomography SuperSampler – by Dimitri
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
Welcome to a fresh instalment of my “…this is why I shoot film” series!
“What about Berlin?”, I asked my partner.
We were looking for a city break last October and had no idea where to go.
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago.
When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.
My favourite colour negative film is Fuji Reala 100 which was discontinued quite a few years ago (thanks a lot Fuji).
Small hot chilies
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Offaly good
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Wild pig
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Strung up
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Snack time
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6×6
Push processed one stop
Creative, experimental, quirky and always evolving.
Vacated
Lomography Color Negative 400 shot at EI 400
Color negative film in 120 format shot as 6×6
Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work.
Just in case you need some space, the interview starts below.
Scroll down when you’re ready.
I’m sitting down with Scott D
Rainbow screen
Lomography Color Negative 400 at EI 400.
Color negative film in 120 format shot as 6×6.
