Lomography Color Negative 400
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my "...this is why I shoot film" series!
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101) – by Allysse Riordan
"What about Berlin?", I asked my partner.
We were looking for a city break last October and had no idea where to go.
5 Frames… With Lomography Color Negative 400 (EI 400 / 120 format / Fujifilm GA645Zi) – by Kathleen E. Johnson
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Film review: Lomography Color Negative 400 in 120 format – by Phil Harrison
I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago.
Camera review: the Holga 135BC – by Lorraine Healy
When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Olympus OM-2S) -by Tim Dobbs
My favourite colour negative film is Fuji Reala 100 which was discontinued quite a few years ago (thanks a lot Fuji).
Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6x6
Push processed one stop
Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6x6
Push processed one stop
Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6x6
Push processed one stop
Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6x6
Push processed one stop
Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time
Shot on Lomography Color Negative 400 at EI 800
Color negative film in 120 format shot as 6x6
Push processed one stop
EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.
Photography: Vacated – Lomography Color Negative 400 (120)
Vacated
Lomography Color Negative 400 shot at EI 400
Color negative film in 120 format shot as 6x6
EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW
Before you scroll on, please be aware that today's interview is decidedly Not Safe For Work.
Just in case you need some space, the interview starts below.
Scroll down when you're ready.
I'm sitting down with Scott D
Photography: Rainbow screen – Shot on Lomography Color Negative 400 (120 format)
Rainbow screen
Lomography Color Negative 400 at EI 400.
Color negative film in 120 format shot as 6x6.
Photography: Red rims – Shot on Lomography Color Negative 400 at EI 400 (120 format)
Red rims
Shot on Lomography Color Negative 400 EI 400.
Color negative film in 120 format shot as 6x6.
Photography: Growth – Shot on Lomography Color Negative 400 at EI 400 (120 format)
Growth
Shot on Lomography Color 400 at EI 400Color negative film in 120 format film shot as 6x6
