Tag: Leica
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Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive
UPDATE 01 2017-04-27: Added production specifications Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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My return to film: Andrew Whitehurst
To describe my return to film as long-awaited is to over-sell it; I had only been away for a handful of years.
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Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Bird bar Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 35mm format
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Why shoot film part 2: Seeking the Hasselblad XPan
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
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Travelogue: Hong Kong
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
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Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)
At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review. In her infinite wisdom
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Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Got…that…itch… – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Got…that…itch… Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
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Photography: Down the canal – Shot on Cinestill 800T (35mm)
Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
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Photography: Lunch for three – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Lunch for three Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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EMULSIVE interview #168: I am Christopher P. Michel and this is why I shoot film
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.
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Photography: Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
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EMULSIVE's most popular film camera reviews of 2017
I’m back with the second in this series of end-of-year-lazy-posts.