Tag: Kodak Tri-X 400
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5 Frames… Of a rainy Lombard with Kodak Tri-X 400 (EI 1600 / 35mm format / Minolta SRT 202)
About a year ago, whilst a heavy rain was pouring over the small city in Lombardy (Italy) where I live, the thought of going out with a roll of Kodak Tri-X 400 snapped instantly in my head.
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Research: is there really a difference between real and simulated film photographs?
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
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Travelogue: Following in Vivian Maier’s footsteps, my trip to Chicago
Traditionally when I go away on holiday, I tend to pick the less touristy places. That way I can get a better feel for a country and its people.
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Film photography in album cover design
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
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Why did it take me so long to start shooting Kodak Tri-X?
There are a few reasons it’s taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
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Holgas in the Himalayas
I continue to carry film cameras long after the world has gone digital. We had a darkroom when I was growing up and I learned to develop film and print photos when I was about 10.
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The Olympus XA review: how I fell in love with a tiny plastic box…
…and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
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Camera review: Satisfying a 37 year dream… My first Nikon F3
I remember the Nikon F3 being expensive when it first came out in 1980. At the time, a new Nikon F3 with a 50mm lens cost about US$1,175 – that’s about US$3,500 adjusted for inflation.
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Camera review: 30+ years with the Nikon FG-20
In 1984 I had just entered my 20s and my pockets were not very deep. Up to that point I had been using a Rolleiflex SL35M, my second SLR, but it had stopped working.
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Nikon FM2n)
Aside from the fact these photos were taken in the streets, they stray far from traditional street photography.
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Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400
I’m very privileged to be able to call photography my job, all be it part-time. I have a small home studio and I’ve shot wedding and family work for several years now.
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EMULSIVE Interview #191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee is Robin Kuusela.
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5 Frames… With Kodak Tri-X 400 (EI 400 / 120 format / Rolleicord Ia)
Finding Sieglinde Hefftner, my mother, seemed like a good way of trying out a recent addition to my evolving collection of film cameras. From the early 1940s to the early 1950s my mother worked at Harry Glocke’s Photo Studio
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EMULSIVE interview #188: I am Ted Vieira and this is why I shoot film – NSFW
Today’s interviewee is the man once described as “the man with the silkiest voice you’ll ever hear” (by me), Ted Viera. Trust me, I’m not wrong on this one.
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5 Frames… With Kodak Tri-X 400 (35mm / EI 800 / Nikon FM2)
We are brothers. Twins actually! Boy and Girl. We have a passion for analog photography and we love to experience film. At the end of last year we had a chance to go one week to Madrid.
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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Sibling rivalry: Fujica GS645 & GS645S street photography shootout
The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison….which interestingly enough, is what this article is all about: a comparison of Fuji’s two most well-known and loved
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1)
The images in this series are abstracted Houston landscapes, shot on 35mm film.
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Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6
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