Kodak Portra 800

Fujifilm TX-1 Far

9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on …

Read more9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

5 Frames... From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) - by Brian Fulda

5 Frames… From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) – by Brian Fulda

My girlfriend, four of our friends, and I recently planned a backpacking trip to the scenic Lake Aloha in California’s Desolation Wilderness, not far from …

Read more5 Frames… From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800) – by Brian Fulda

5 Frames... Of ballet on film shot on Kodak Portra 800 (120 Format / EI 800 / Yashica 635 - by Lisa Cho

5 Frames… Of ballet on film shot on Kodak Portra 800 (120 Format / EI 800 / Yashica 635 – by Lisa Cho

‘Ballet on Film’ is an on-going collaboration with Honolulu Classical Ballet and artistic director Romi Beppu. It is an exploration into the rich hues, spirited …

Read more5 Frames… Of ballet on film shot on Kodak Portra 800 (120 Format / EI 800 / Yashica 635 – by Lisa Cho

The Party of Trump - Graflex Speed Graphic, ILFORD HP5 PLUS

EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & …

Read moreEMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

Kodak Portra 400, EI 400, CONTAX S2, Carl Zeiss Distagon 28mm

EMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film

Today’s EMULSIVE interviewee should not be a stranger to regular readers. From his thoughts on the Contax S2 and RTS series to a quick delve …

Read moreEMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film

5 Frames With... Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) - by Joni Schoonjans

5 Frames… On my father’s last day at work on Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) – by Joni Schoonjans

After 27 years of working at the airport, my father was recently informed that he would be let go. He started at the Belgian national …

Read more5 Frames… On my father’s last day at work on Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) – by Joni Schoonjans

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.

Either way, it’s here.

Comparing Fujifilm Acros to… Fujifilm Acros – READ

Crank Case – Minolta XD7

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Revolog Kosmo (35mm) , Bronica ETRSi - Nils Karlson- Test Shots

Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson

A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.

Cover - Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography Color Negative 800 (35mm)

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)

At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review.

In her infinite wisdom

Cover - Most popular photography posts 2017

EMULSIVE's most popular film photography posts of 2017

In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take

Cover - Long exposure film tests part three- Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H by Toni Skokovic

Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H – by Toni Skokovic

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

My current Pentax 645 system – Camera with 75mm, 200mm, 45mm, and 150mm (left to right)

Camera review: My journey with the Pentax 645

If you are just an old timer still shooting film, or new to the craft, photographing with film encourages one to explore and play with tactile gear and tangible materials.

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Creeping up - Shot on Kodak Portra 800 shot at EI 800. Color negative film in 120 format shot as 6x12.

Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)

Creeping up

Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12

Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.