Tag: Kodak Ektar 100
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EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
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Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops
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EMULSIVE x Kodak Alaris Community Interview: results time
Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results! Thank you’s and introductions First of all, a massive
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Travelogue: Australia part three – Tasmania
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.
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EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.
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Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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Photography: Untitled – Kodak Ektar 100 (120)
Untitled Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Permission to Create
I am no stranger to self-doubt. In fact, it feels as if I’ve stumbled through most of my life–save for my late teens when most of us think we know everything–with self-doubt at my side.
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Blue hour with Kodak Ektar 100
I’ve started getting into film photography more seriously over the past 18 months;
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Photography: Red cabbage light study #02 – Kodak Ektar 100 (120)
Red cabbage light study #02 Kodak Ektar 100 shot at EI100 Color negative film in 120 format shot as 6×6 Developed as black and white Red cabbage light study #02 Kodak Ektar 100 shot at EI100. Color negative
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Photography: Last light – Shot on Kodak Ektar 100 at EI 800 (120)
2016-10-05 – Last light Kodak Ektar 100 shot at EI 800 Color negative film in 120 format shot as 6×6 No push processing / under exposed 2 stops
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Photography: Six layers – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Six layers Kodak Ektar 100 shot at EI 100 Color negative film in 35mm format
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Photo story – Beauty from disaster
I’ll keep this short. I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below).
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
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Photography: Everyday wear and tear excluded – Kodak Ektar 100
Everyday wear and tear excluded Kodak Ektar 100 shot at EI 100Color negative film in 35mm format Everyday wear and tear excludedKodak Ektar 100 shot at EI 100.Color negative film in 35mm format.
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EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
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Photography: Incensed – Kodak Ektar 100 (35mm)
Incensed Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.