I’ll keep this short.
I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below). They are as follows:
- Shoot a beautiful truck (in my case) with 35mm Kodak Ektar 100. The perfect film for brilliant blue.
- Sweat all over the film spool in the rubberized dark bag that you will later throw in the trash.
- The film should not successfully spool on to the development reel.
- Mar the film.
- Re-roll the film, sweat on it a bit more and add some fingerprints.
- Decide to use the closet. Cover the light leaks with towels.
- Muscle the film onto the development reel while in the closet, taking time to enjoy the comfort of the light leaks.
- Ensure the last 6 shots won’t spool on and cut them off in caged fury.
- Develop using a C-41.
- Cut the negative in the wrong place and you’re done!
Your turn: submit an article
EMULSIVE is all about promoting knowledge transfer across the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages: check out the submission guide.
If you like what you're reading you can help this passion project by heading on over to the EMULSIVE Patreon page. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.