Kodak Ektar 100
5 Frames… On a box camera with Kodak Ektar 100 (EI 100 / 620 format / Kodak Six-20 Brownie Junior) – by Gene Wilson
Once you get known as a weirdo who still shoots film, people tend to ask you if you want film cameras that...
5 Frames… From my first roll of film for 20 years: Kodak Ektar 100 (EI 100 / 35mm / Nikon F3) – by Chris...
My first foray into film for over 20 years. My father had owned a Nikon F3 and back in those days I...
Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms...
5 Frames… On the greatest film in existence, Kodak Ektar 100 (EI 100 / 120 format / Zenza Bronica S2A) – by Ed Worthington
So going out and making new photos has been off the table for a few weeks, well at least travelling anywhere new,...
Camera review: Fixing a bad rep… It’s time for the Pentacon Six to shine
Can the Pentagon Six take pictures as sharp and contrasty as a Hasselblad or a Rolleiflex? After all, this is the only...
5 Frames… With Kodak Ektar 100 (EI 100 / 4×5 format / Chamonix F-2 4×5) – by Leland Buck
Like several others who have shared their 5 Frames here, I started my exploration of photography before digital was an option. As...
EMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film
Today's EMULSIVE interviewee should not be a stranger to regular readers. From his thoughts on the Contax S2 and RTS series to...
Essay: It’s all been done before so why bother taking photographs?
I’m constantly getting back to this thought and feel it's about time to share something with you that comes very close to...
5 Frames… On Kodak Ektar 100 at night (EI 100 / 120 format / Mamiya 645 AFD) – by Jason Archer
Each time I have shot a roll of Kodak Ektar 100 it has seemed difficult to achieve the types of beautiful images I have witnessed other...
Add to queue: interviewing Alan Brock
OK folks, buckle up for a flight over the Grand Canyon, it's time to interview Alan Brock.
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long...
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Olympus XA) – by C.A.
I work as a busy professional in Downtown Toronto and had been in desperate need of something meaningful outside of my work...
Neshama Sheli: Documenting Israel and the Palestinian territories
This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn't always easy or straightforward to put into words but I have done my best to paint
EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!) – By Aivaras Sidla
Let's start with the elephant in the room - this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the "Rolleiflex 2.8GX Expression 75 years edition".
The Bronica ETR: 40 years old but not an old dog – by Nelson Mercier
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
