Tag: Kodak Ektar 100
Four years and counting: Un Giro D’Italia – touring Italy or,...
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long...
Packing light for the Congo: Two countries, one river, eight film...
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
5 Frames With… Kodak Ektar 100 (EI 100 / 35mm /...
I work as a busy professional in Downtown Toronto and had been in desperate need of something meaningful outside of my work...
Neshama Sheli: Documenting Israel and the Palestinian territories
This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn't always easy or straightforward to put into words but I have done my best to paint
EMULSIVE Interview #205: I am Jeremy Calow and this is why...
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!) –...
Let's start with the elephant in the room - this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the "Rolleiflex 2.8GX Expression 75 years edition".
The Bronica ETR: 40 years old but not an old dog...
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
5 Frames With… Kodak Ektar 100 (EI 100 / 120 /...
Some time ago I combined two new-for-me techniques in one batch of the film developing process - semi-stand and processing C-41 film in B&W chemistry.
5 Frames With… Kodak Ektar 100 (EI 100 / 120 /...
Before I actually start writing about the film I want to make a disclaimer which some of you may think is unnecessary, however I do not want to hurt any feelings and that’s why I want to make clear
5 Frames With… Kodak Ektar 100 (35mm / EI 100 /...
It all began in the summer of 2018 when I made a trip to the United States.
EMULSIVE interview #198: I am Angela Solis and this is why...
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50...
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
EMULSIVE interview #195: I am David Jazay and this is why...
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer.
It's an interesting read ahead, so I'll bow out and pass you over to David.
Hi David, what's this picture, then?
Antique Shops and
Traveling with film, shooting in Rajasthan – by Jelle Vonk
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not.
Either way, it's here.
Comparing Fujifilm Acros to… Fujifilm Acros - READ
Crank Case - Minolta XD7
EMULSIVE’s most popular film photography posts of 2018
2017's end of year listicles seem like they went down pretty well, so I've decided to put my personal prejudice against them to one and put together a few more for 2018.
EMULSIVE Interview #191: I am Robin Kuusela and this is why...
A film shooter for a little under ten years so far, this week's fresh EMULSIVE interviewee is Robin Kuusela.
My Return to film: Nick Orloff
As a teenager (I'm 55 now) I was the kid that was always carrying a camera – a Pentax K1000 that my grandfather gave me - and at the time I thought that's where my career would be.
5 Frames With… Kodak Ektar 100 (120 format / EI 100...
After a more than 20 year break from taking anything much more than 'happy snaps' photography has started to reemerge as a very important part of my life.
I swore I'd never shoot analogue again - digital is so much
Photography: Don’t leave your sh!t at the beach – Shot on...
Don't leave your sh1t at the beach
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.
