Kodak Ektar 100


My Pentax K1000, Brendan Rutledge

5 Frames… Of Kodak Ektar 100 from a year around Georgia on Kodak Ektar 100 (35mm Format / EI 100 / Pentax K1000) – by Brendan Rutledge

Late last year, my wife and I wanted to combine my love of photography with our shared love of travel, exploring, and just getting into …

Read more5 Frames… Of Kodak Ektar 100 from a year around Georgia on Kodak Ektar 100 (35mm Format / EI 100 / Pentax K1000) – by Brendan Rutledge

Over the hill or here or there: My adventures getting started in a large format film photography wonderland

Over the hill or here or there: My adventures getting started in a large format film photography wonderland

It’s mid-December 2020 and a bearded, touqued figure stands silently on the side of a frozen lake looking off towards the rising peak of a …

Read moreOver the hill or here or there: My adventures getting started in a large format film photography wonderland

5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8) – by Tim Rangi

Ever since I started shooting medium format film, I’ve been searching for a favourite film stock and I think I may have found it in …

Read more5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8) – by Tim Rangi

My Contax G1 + Carl Zeiss 90mm f/2.8 Sonnar T* with Kodak Ektar 100, Brenton Giesey

5 Frames… Of Los Angeles on a quiet New Years’ Eve day 2020 (Kodak Ektar 100 / EI 100 / Contax G1 + Carl Zeiss 90mm f/2.8 Sonnar T*) – by Brenton Giesey

As a creative, making it to the end of 2020 felt like a literal Sysiphus myth — pushing a giant boulder uphill all year to …

Read more5 Frames… Of Los Angeles on a quiet New Years’ Eve day 2020 (Kodak Ektar 100 / EI 100 / Contax G1 + Carl Zeiss 90mm f/2.8 Sonnar T*) – by Brenton Giesey

Cover - 5 Frames... Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f_5.6 (120 format _ EI 100) - by Reza Rostampisheh

5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh

Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late …

Read more5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh

5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5) – by Adam Welch

The fisherman were already there that morning. They had arrived long before sunrise with their reels and lines and pole holders made from cut off …

Read more5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5) – by Adam Welch

5 Frames... Working within limitations: Long exposures at the Concours d'Elegance (120 Format / EI 100 / Mamiya RZ67) - by Ryan HK

5 Frames… Working within limitations: Long exposures at the Concours d’Elegance – by Ryan HK

I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on …

Read more5 Frames… Working within limitations: Long exposures at the Concours d’Elegance – by Ryan HK

My Yashica FX3 Super 2000 + Yashica 28mm f:2.8 ML, Andrea Mugetti

5 Frames… Of stunning Piedmont on Kodak Ektar 100 (35mm Format / EI 100 / Yashica FX-3 Super 2000 + Yashica ML 28mm f/2.8) – by Andrea Mugetti

I came across film photography by chance, after my exchange year during university a few years ago. I feel very blessed cause I had the …

Read more5 Frames… Of stunning Piedmont on Kodak Ektar 100 (35mm Format / EI 100 / Yashica FX-3 Super 2000 + Yashica ML 28mm f/2.8) – by Andrea Mugetti

5 Wide Frames... From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) - by Jeremy Mudd

5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd

I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to …

Read more5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd

My Brownie Six-20, Gene Wilson

5 Frames… On a box camera with Kodak Ektar 100 (EI 100 / 620 format / Kodak Six-20 Brownie Junior) – by Gene Wilson

Once you get known as a weirdo who still shoots film, people tend to ask you if you want film cameras that they have in …

Read more5 Frames… On a box camera with Kodak Ektar 100 (EI 100 / 620 format / Kodak Six-20 Brownie Junior) – by Gene Wilson

My Zenza Bronica S2A - Ed Worthington

5 Frames… On the greatest film in existence, Kodak Ektar 100 (EI 100 / 120 format / Zenza Bronica S2A) – by Ed Worthington

So going out and making new photos has been off the table for a few weeks, well at least travelling anywhere new, interesting and not …

Read more5 Frames… On the greatest film in existence, Kodak Ektar 100 (EI 100 / 120 format / Zenza Bronica S2A) – by Ed Worthington

Camera review: Fixing a bad rep... It's time for the Pentacon Six to shine

Camera review: Fixing a bad rep… It’s time for the Pentacon Six to shine

Can the Pentagon Six take pictures as sharp and contrasty as a Hasselblad or a Rolleiflex? After all, this is the only question that matters …

Read moreCamera review: Fixing a bad rep… It’s time for the Pentacon Six to shine

5 Frames With... Kodak Ektar 100 (EI 100 : 4x5 format : Chamonix F-2 4x5) - by Leland Buck

5 Frames… With Kodak Ektar 100 (EI 100 / 4×5 format / Chamonix F-2 4×5) – by Leland Buck

Like several others who have shared their 5 Frames here, I started my exploration of photography before digital was an option. As a teenager, I …

Read more5 Frames… With Kodak Ektar 100 (EI 100 / 4×5 format / Chamonix F-2 4×5) – by Leland Buck

Kodak Portra 400, EI 400, CONTAX S2, Carl Zeiss Distagon 28mm

EMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film

Today’s EMULSIVE interviewee should not be a stranger to regular readers. From his thoughts on the Contax S2 and RTS series to a quick delve …

Read moreEMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film

Essay: It's all been done before so why bother taking photographs

Essay: It’s all been done before so why bother taking photographs?

I’m constantly getting back to this thought and feel it’s about time to share something with you that comes very close to my inner monologue. …

Read moreEssay: It’s all been done before so why bother taking photographs?