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Tag: Kodak Ektar 100
Let's start with the elephant in the room - this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the "Rolleiflex 2.8GX Expression 75 years edition".
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
It all began in the summer of 2018 when I made a trip to the United States.
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It's an interesting read ahead, so I'll bow out and pass you over to David. Hi David, what's this picture, then? Antique Shops and
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not. Either way, it's here. Comparing Fujifilm Acros to… Fujifilm Acros - READ Crank Case - Minolta XD7
2017's end of year listicles seem like they went down pretty well, so I've decided to put my personal prejudice against them to one and put together a few more for 2018.
A film shooter for a little under ten years so far, this week's fresh EMULSIVE interviewee is Robin Kuusela.
After a more than 20 year break from taking anything much more than 'happy snaps' photography has started to reemerge as a very important part of my life. I swore I'd never shoot analogue again - digital is so much
Don't leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.
It is said that landscapes should be shot with, at the very least, a medium-film camera.
Pumped-up Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6x6
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6x6 Push processed three stops
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop