Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move […]
Tag: Kodak Ektar 100
Posted inMedium format
Photography: Be with you in just a moment – Shot on Kodak Ektar 100 at EI 100 (120 Format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Be with you in just a moment – Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
Posted inFeatured
Rolling car photography: Japanese muscle cars on 8×10 Kodak film
When you think about rolling car photography — the art of taking photos of moving vehicles, not just moving cars — while moving, using large format film probably won’t spring to mind as your first choice. Hell, 35mm film probably won’t either, let alone a ponderous format, exposed one sheet at a time into a box weighing 10lbs/4.5kg (without lens).
Posted in35mm format
Photography: Anamorphic test #04 – Shot on Kodak Ektar 100 at EI 100 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted inArticles
5 Frames… Of the the West Australian Wheatbelt on Kodak Ektar 100 and a Franka Rolfix II (120 Format / EI 100 / Schneider Kreuznach Radionar 105mm f/4.5)
I headed out to the West Australian Wheatbelt with a battery of cameras: a Polaroid SX-70, a Kodak Cresta, an Ilford disposable, and a Kodak Hawkeye, but the Franka Rolfix was the sentimental favorite. I bought it in Ottawa for fifty dollars, mainly because of the stamp near the hinge: “Made in Germany U.S Zone”, […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Pentax film camera reviews, Reviews
Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii
I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
Posted inArticles
5 Frames… Of Kodak Ektar 100 from a year around Georgia on Kodak Ektar 100 (35mm Format / EI 100 / Pentax K1000)
Late last year, my wife and I wanted to combine my love of photography with our shared love of travel, exploring, and just getting into adventures together. We decided to work on a personal photo project. For the project, we are attempting to visit every county in the state of Georgia in the 2021 Calendar […]
Posted inOpinion
Over the hill or here or there: My adventures getting started in a large format film photography wonderland
It’s mid-December 2020 and a bearded, touqued figure stands silently on the side of a frozen lake looking off towards the rising peak of a distant mountain as the sun begins to rise. A wooden camera stands atop a carbon fiber tripod waiting for the film holder to be slid home and its shutter to […]
Posted in5 Frames..., Articles
5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8)
Ever since I started shooting medium format film, I’ve been searching for a favourite film stock and I think I may have found it in Kodak’s Ektar 100 Professional After a short walk with my Kowa Six and Kowa Lens-S 85mm f/2.8 loading with a roll of Ektar 100, I found this tiny log in […]
Posted in5 Frames..., Articles
5 Frames… Of Los Angeles on a quiet New Years’ Eve day 2020 (Kodak Ektar 100 / EI 100 / Contax G1 + Carl Zeiss 90mm f/2.8 Sonnar T*)
As a creative, making it to the end of 2020 felt like a literal Sysiphus myth — pushing a giant boulder uphill all year to stay creative, make money, stay healthy and not lose hope. It required a lot of patience, determination, and self-care. I made the move to LA in the midst of the […]
Posted in5 Frames..., Articles
5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100)
Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late 90’s. And again like many — drawn by the instant gratification of seeing the results right away -– soon I switched to a digital camera (Leica Digilux 1). While stunned […]
Posted in5 Frames..., Articles
5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5)
The fisherman were already there that morning. They had arrived long before sunrise with their reels and lines and pole holders made from cut off pieces of PVC pipe. Of course, there were the crabbers, too, who began to roll down to the surf just after I did, wearing their faded chest waders and carrying […]
Posted inArticles
Down the 4×5 rabbit hole part 1: A trip to the world upside down
Down the 4×5 rabbit hole part 1: A trip to the world upside down Like so many of us, I found myself with a bit more extra time during the global pandemic. This created an opportunity to explore various ideas and potential projects. As one of my primary interests is nature and landscape, consideration for […]
Posted in5 Frames..., Articles
5 Frames… Working within limitations: Long exposures at the Concours d’Elegance
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on my first house. I still go to car shows once in a while and usually bring a film camera along to rip through a roll or two. It’s probably considered […]
Posted in5 Frames..., Articles
5 Frames… Of stunning Piedmont on Kodak Ektar 100 (35mm Format / EI 100 / Yashica FX-3 Super 2000 + Yashica ML 28mm f/2.8)
I came across film photography by chance, after my exchange year during university a few years ago. I feel very blessed cause I had the opportunity to travel a lot in my free time and to visit many beautiful places in Europe. The only thing was that back then, I knew almost nothing about photography […]
Posted in5 Frames..., Articles
5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67)
I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to me. I have a few different cameras that I use for this, but more often than not I am usually shooting them with my Mamiya RB67 ProSD with 35mm film […]
Posted in5 Frames..., Articles
5 Frames… On a box camera with Kodak Ektar 100 (EI 100 / 620 format / Kodak Six-20 Brownie Junior)
Once you get known as a weirdo who still shoots film, people tend to ask you if you want film cameras that they have in the attic or found at their mother’s house. A friend of mine did find some cameras and expired film at her mother’s house when she was cleaning it out and […]
Posted in5 Frames..., Articles
5 Frames… From my first roll of film for 20 years: Kodak Ektar 100 (EI 100 / 35mm / Nikon F3)
My first foray into film for over 20 years. My father had owned a Nikon F3 and back in those days I had gone down the Canon AF route, but do you know I always hankered after my Dad’s camera, only ever managing to borrow it once for a day out in Brighton – it […]
Posted inArticles
Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories and moments and store them on a medium that lasts forever. In Summer 2019 I met Lynn, a junior colorist for one of my projects who turned out to be […]
Posted in5 Frames..., Articles
5 Frames… On the greatest film in existence, Kodak Ektar 100 (EI 100 / 120 format / Zenza Bronica S2A)
So going out and making new photos has been off the table for a few weeks, well at least travelling anywhere new, interesting and not within walking distance of my front door on my daily exercise anyway, and is likely to be something I can’t do for the foreseeable future still. Because of this, I’ve […]
