Tag: Kodak Ektar 100
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My Return to film: Nick Orloff
As a teenager (I’m 55 now) I was the kid that was always carrying a camera – a Pentax K1000...
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5 Frames With… Kodak Ektar 100 (120 format / EI 100 / Hasselblad 503CX) – by Nick Orloff
After a more than 20 year break from taking anything much more than ‘happy snaps’...
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Don’t leave your sh1t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in...
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7) – by Jacob Firsel
It is said that landscapes should be shot with, at the very least, a medium-film camera. So much...
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Pumped-up – Shot on Kodak Ektar 100 at EI 100 (120 format)
Pumped-up Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6 ...
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Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6×6...
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v3)
Update 02: 2018-10-04 Update 01: 2018-09-20 Welcome to part four of this series exploring every...
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Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one...
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Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed...
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Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)
Pick and choose Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as...
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Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)
Shattered by light Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as...
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In the lines – Shot on Kodak Ektar 100 (35mm)
In the lines Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Write for...
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EMULSIVE interview #176: I am Josip Šore and this is why I shoot film
Welcome all. This week I have the pleasure of bringing you the work and words of Josip Šore,...
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful...
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Slits – Shot on Kodak Ektar 100 (120)
Slits Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push...
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Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as...
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EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months. It’s...
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5 Frames With… Kodak Ektar 100 (EI 100 / 35mm / Ricoh GR1s) – by Perry Liston
I’ve always had a bit of a love-hate relationship with Kodak Ektar 100. I love the sharpness, and...
Read MoreCamera review: Fuji GA645i – “The Portrait Machine” by Anil Mistry
In this piece, I will be reviewing the Fuji GA645i 6×4.5 medium format camera. It’s my...
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Ekt-cars – classic american cars on Kodak Ektar 100 – by Sandeep Sumal
Sitting in bed one recent Sunday morning, I noticed a local news item. In the town next to where I...
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- A Brief History Of (1)
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- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
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- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
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- AGFA Cameras (1)
- Bronica Cameras (6)
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- Chamonix Cameras (1)
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