Tag: Kodak Ektar 100
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett. I’m looking forward to this!
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Photography: Slits – Shot on Kodak Ektar 100 (120)
Slits Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop
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EMULSIVE's most popular #5FramesWith articles of 2017
Earlier this year I started a new series of articles with Hamish over at 35mmc.
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Photography: Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop / Double exposure
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EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
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5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Ricoh GR1s)
I’ve always had a bit of a love-hate relationship with Kodak Ektar 100. I love the sharpness, and the colors are awesome when they work, but for whatever reason, I have trouble with the conversions.
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Camera review: Fuji GA645i, “The Portrait Machine”
In this piece, I will be reviewing the Fuji GA645i 6×4.5 medium format camera.
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Ekt-cars: Classic American cars on Kodak Ektar 100
Sitting in bed one recent Sunday morning, I noticed a local news item. In the town next to where I live there was going to be an American car and bike show.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii)
I’ve been using Kodak Portra for about 5 years but wanted something more.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 / Rolleicord VB)
Kodak Ektar 100; it sounds so exotic and for me it delivers the kind of saturation that makes shooting colour film so fun, but without the reduced latitude that comes with shooting slide film.
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Camera review: Mamiya 645 1000S
The Mamiya 645 1000S was not my first medium format camera.
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My Return to Film: Steven J Parkes
My return to film was not a definite decision I made one day, but more of an evolvement of my feeling towards photography.
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Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
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EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.
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EMULSIVE interview #152: I am Ed Worthington and this is why I shoot film
Wahey! It’s Ed Worthington aka “The 6 Million P Man” (that’s P as in English pence, not Mike, or the other P word).
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EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
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EMULSIVE interview #142: I am Don Lupo and this is why I shoot film
Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story. I’m so happy to be able to bring you the words and pictures
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My Return to Film: Todd Reed
In a high tech digital age, why have I chosen to go back to an older, somewhat archaic process of shooting film? In a simple statement – “It feeds my soul” For some strange reason, I have never been on
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Travelogue: Hong Kong
I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.
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Camera review: My journey with the Pentax 645
If you are just an old timer still shooting film, or new to the craft, photographing with film encourages one to explore and play with tactile gear and tangible materials.