Tag: Kodak Ektar 100
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EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
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Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
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EMULSIVE interview #195: I am David Jazay and this is why I shoot film
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It’s an interesting read ahead, so I’ll bow out and pass you over to David. Hi David, what’s this picture, then? Antique Shops and
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Traveling with film, shooting in Rajasthan
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
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EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not. Either way, it’s here. Comparing Fujifilm Acros to… Fujifilm Acros – READ Crank Case – Minolta XD7
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EMULSIVE’s most popular film photography posts of 2018
2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018.
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EMULSIVE Interview #191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee is Robin Kuusela.
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My Return to film: Nick Orloff
As a teenager (I’m 55 now) I was the kid that was always carrying a camera – a Pentax K1000 that my grandfather gave me – and at the time I thought that’s where my career would be.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 format / Hasselblad 503CX)
After a more than 20 year break from taking anything much more than ‘happy snaps’ photography has started to reemerge as a very important part of my life. I swore I’d never shoot analogue again – digital is so much
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Photography: Don’t leave your sht at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7)
It is said that landscapes should be shot with, at the very least, a medium-film camera.
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Photography: Pumped-up – Shot on Kodak Ektar 100 at EI 100 (120 format)
Pumped-up Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6×6 Push processed three stops
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)
Pick and choose Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)
Shattered by light Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: In the lines – Shot on Kodak Ektar 100 at EI 100 (35mm format)
In the lines Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format