Tag: Kodak Ektar 100
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Photography: Red cabbage light study #01 – Kodak Ektar 100 (120)
Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal
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EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
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EMULSIVE interview #84: I am Rory Power and this is why I shoot film
Today we’re sitting down with 20-year old Rory Power. It’s safe to say that he’s been around a bit but I’ll let him tell you that himself.
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EMULSIVE interview #82: I am Damien Mountain Woods and this is why I shoot film
We managed to grab some time with Damien Mountain Woods, Australian and recent film convert.
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EMULSIVE interview #81: I am Drew Amyot and this is why I shoot film
Today’s interviewee is Drew Amyot, Nova Scotian born and raised.
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Photography: Meshed up – Kodak Portra 400VC (120)
Meshed up – 2015-05-02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film
Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this
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EMULSIVE interview #63: I am Chuck Miller and this is why I shoot film
Today we’ve dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen “splitfilm” photography. In case you’re not familiar with it, I won’t spoil it here.
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Camera Review: Me and my Snappa
Today we’e welcoming Todd Schlemmer into the fold with his review (preview?) of the terraPin “Snappa”, a 35mm pinhole film camera prototype he designed and 3D printed;
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EMULSIVE interview #61: I am Chris Wood and this is why I shoot film
Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography. Over to you, Chris What’s this picture, then? Jellyfish It’s one of my happiest
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Photography: Tuck in! – Kodak Ektar 100 (120)
Kodak Ektar 100 shot at ISO100 Color negative film in 120 format shot as 6×6
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Photography: Brooks – Shot on Kodak Ektar 100 at EI 100 (120 format)
Brooks Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Untitled – Shot on Kodak Ektar 100 at EI 100 (120 format)
Untitled Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
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Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I’ve been lucky enough to swap over 150 rolls (and reels) of
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EMULSIVE interview #38: I am Justin Rhody and this is why I shoot film
Justin Rhody is part photographer, part musician, part travel-nut and polymath is the first word that springs to mind when you see the breadth of his body of work and consider his hectic schedule. You may already be familiar with
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Photography: We eat the same – Shot on Kodak Ektar 100 at EI 50 (35mm format)
We eat the same sh1t Shot on Kodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop We eat the same sh1tKodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop.
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Photography: Railroaded – Shot on Kodak Ektar 100 at EI 100 (120 format)
Railroaded Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Enter at your own risk – Kodak Ektar 100 (120)
Enter at your own risk Kodak Ektar 100 shot at ISO100 Color negative film in 35mm format
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Photography: Nestled in the hills – Shot on Kodak Ektar 100 at EI 100 (120 format)
Nestled in the hills Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6