On Christmas Eve I polished up my Vivitar Powershot Point and Shoot 35mm camera that I rescued from the recycle bin at work and loaded it up with a roll of Kodak ColorPlus 200. I wanted to do something experimental, and the ease of point and shoot cameras lends itself perfectly to experimental photography. I […]
Tag: Kodak ColorPlus 200
Posted inBest Of
EMULSIVE’S most popular “5 Frames” of 2020
If you’re celebrating, Merry Christmas! If you’re not, welcome to the end of a year which, well, that’s enough about that. I made a promise to myself early in 2020 that I’d do my best to focus on the positives and share a little more love than usual this year. Things didn’t turn out exactly […]
Posted inLens Reviews
Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]
Posted in5 Frames..., Articles
5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI)
5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul I find myself with a lot of typewriters on hand, usually due to my job as a repair tech. A few weeks ago, one […]
Posted in5 Frames..., Articles
5 Frames… Of a desolate Blackpool with Kodak ColorPlus 200 (35mm Format / EI 200 / OLYMPUS OM-2)
I’ve been shooting on film (or with any non-convenient high-megapixel low-character smartphone capacity) for a little under half a year now, starting very feebly with what I chose would be worthy of taking a photo of, I slowly garnered the courage to capture moments spontaneously without fear of running out of film – I started […]
Posted in5 Frames..., Articles
5 Frames… In Leipzig with Kodak ColorPlus 200 (EI 100 / Revue 400SE)
One day I woke up with the feeling that I really needed to have a classic rangefinder from the late 1970s. After some Googling in fora and other resources, I decided to go for the REVUE 400SE – a white-labelled camera based on a standard design that has been used by other brands like Konica […]
Posted inPhotosets and stories
Graz on lockdown with snapped film: Kodak ColorPlus 200 and Olympus OM-1 with Zuiko 55mm f/1.2
Have you ever broken photographic film? Broken as in snapped it in half and then opened the back of the camera to see what no photographer wants to see: naked undeveloped exposed film? Fret not you have not lost everything. In this post, I made the mistake of opening the camera thinking the film was […]
Posted in5 Frames..., Articles
5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100)
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on my commute, get out of public transportation earlier and walk to work for half an hour. It’s very fortunate being able to walk along the Tagus River in Lisbon and […]
Posted inFilm Photographer Interviews
EMULSIVE interview #217: I am Nat Meier and this is why I shoot film
I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time at all on the Twitter film photography community over the past few months, you should be no stranger to Nat’s wonderful photography of San Francisco and beyond. For now, it’s […]
Posted inFilm Photographer Interviews
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that quick DM and ensuing chat, I’ve finally been able to get her to grace these pages as interviewee #214. Ladies and gents, this is Ejatu Shaw. Hi Ejatu, what’s this […]
Posted inFilm Photographer Interviews
EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film
Greetings and welcome to this week’s fresh EMULSIVE interview – number 211 to be specific. I have great pleasure in introducing you to the words and work of erstwhile philosopher, Graham Spinks. It’s over to you, Graham. Hi Graham, what’s this picture, then? GS: This photo was taken at the National Trust’s Canons Ashby earlier this […]
Posted inArticles
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary work camera is almost always a digital body. While I love the consistently excellent results that I have been able to get with digital cameras, I have missed the beautiful […]
Posted inNews
Have a break… have a Kit Kat… film camera…
And finally for your end of week pleasure… after yesterday’s news, let’s file this one under “I need to book a flight to Thailand”. Yes, Thailand’s 11,000+ 7-11’s began selling promotional Kit Kat film cameras earlier this week. Single use, disposable cameras loaded with what appears to be a roll of 16 exposure Kodak ColorPlus […]
Posted inBest Of
EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
Posted in35mm format, Photography
Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Olympus XA.
More samples here.
Posted inFilm stock reviews
Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
Posted in5 Frames..., Articles
5 Frames… With Kodak ColorPlus 200 (El 100 / 35mm format / Mamiya 7 + Panoramic Kit)
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to the point where I simply can’t justify one.
Posted in35mm format, Photography
Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Posted inArticles
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Posted in5 Frames..., Articles
5 Frames… With. Kodak ColorPlus 200 (EI 200 / 35mm format / Leica M6)
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
