Kodak ColorPlus 200

Shooting São Paulo with a Nikon 500mm f/8 Reflex-NIKKOR: The Pandemic from my Window

Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …

Read moreShooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

My Nikon F3 and Nikkor 50mm f/1.4 AI lens, Lucas Dul

5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul

5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm …

Read more5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul

5 Frames… Of a desolate Blackpool with Kodak ColorPlus 200 (35mm Format / EI 200 / OLYMPUS OM-2) – by Jack Sanford

I’ve been shooting on film (or with any non-convenient high-megapixel low-character smartphone capacity) for a little under half a year now, starting very feebly with …

Read more5 Frames… Of a desolate Blackpool with Kodak ColorPlus 200 (35mm Format / EI 200 / OLYMPUS OM-2) – by Jack Sanford

Nikon F100 and Nikon Nikkor 28mm f/3.5 AI - Rodrigo Veríssimo

5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100) – by Rodrigo Verissimo

I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on …

Read more5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100) – by Rodrigo Verissimo

Costco Home 400 - San Francisco, CA

EMULSIVE interview #217: I am Nat Meier and this is why I shoot film

I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time …

Read moreEMULSIVE interview #217: I am Nat Meier and this is why I shoot film

Ejatu - INDODA

EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film

I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that …

Read moreEMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film

Me with my Meopta Flexaret II, photo by Tim Green

EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film

Greetings and welcome to this week’s fresh EMULSIVE interview – number 211 to be specific. I have great pleasure in introducing you to the words …

Read moreEMULSIVE interview #211: I am Graham Spinks and this is why I shoot film

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

EMULSIVE’s most popular articles of 2018

It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.

Film review - Kodak ColorPlus 200 and Fuji Fujicolor C200 Compared

Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200

The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Self portrait shot on Kodak Tri-X 400

EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film

It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven’t already done so, please do check out her take on portrait photography and double exposure portraiture.

Road and tree, Double-X, Nikon F100, Kodak Color Plus

EMULSIVE interview #96: I am David Rothschild and this is why I shoot film

Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses.
Over to you, David.
 
 
Hi