During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …
Read moreShooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm …
I’ve been shooting on film (or with any non-convenient high-megapixel low-character smartphone capacity) for a little under half a year now, starting very feebly with …
One day I woke up with the feeling that I really needed to have a classic rangefinder from the late 1970s. After some Googling in …
Read more5 Frames… In Leipzig with Kodak ColorPlus 200 (EI 100 / Revue 400SE) – by Heiko Englert
Have you ever broken photographic film? Broken as in snapped it in half and then opened the back of the camera to see what no …
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on …
I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time …
Read moreEMULSIVE interview #217: I am Nat Meier and this is why I shoot film
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that …
Read moreEMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
Greetings and welcome to this week’s fresh EMULSIVE interview – number 211 to be specific. I have great pleasure in introducing you to the words …
Read moreEMULSIVE interview #211: I am Graham Spinks and this is why I shoot film
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
Read morePacking light for the Congo: Two countries, one river, eight film stocks
And finally for your end of week pleasure… after yesterday’s news, let’s file this one under “I need to book a flight to Thailand”. Yes, …
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
Lunch
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Olympus XA.
More samples here.
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to the point where I simply can’t justify one.
Split #06
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven’t already done so, please do check out her take on portrait photography and double exposure portraiture.
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses.
Over to you, David.
Hi
