Kodak ColorPlus 200
EMULSIVE interview #217: I am Nat Meier and this is why I shoot film
I'm so pleased to be able to bring you today's fresh film photographer interview with none other than Nat Meier. If you've...
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today's interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona....
EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film
Greetings and welcome to this week's fresh EMULSIVE interview - number 211 to be specific. I have great pleasure in introducing you...
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
Have a break… have a Kit Kat… film camera…
And finally for your end of week pleasure... after yesterday's news, let's file this one under "I need to book a flight...
EMULSIVE’s most popular articles of 2018
It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.
Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Olympus XA.
More samples here.
Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
5 Frames… With Kodak ColorPlus 200 (El 100 / 35mm format / Mamiya 7 + Panoramic Kit) – by Martin Jeffery
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to the point where I simply can't justify one.
Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
5 Frames… With. Kodak ColorPlus 200 (EI 200 / 35mm format / Leica M6) – by Adib Mufty
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film
It's my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven't already done so, please do check out her take on portrait photography and double exposure portraiture.
EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today's interviewee is a real treat, I'm honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses.
Over to you, David.
Hi
