![Introducing the pixl-latr: democratising the digitisation of film [with exclusive creator Q&A]](https://i1.wp.com/emulsive.org/wp-content/uploads/2018/06/pixl-latr-Cover.jpg?resize=150%2C150&ssl=1)
Tag: Kodak VISION 3 250D (5207)
Popular right now
Our 20 most recent articles
Every single film stock still made today – Part 4: Kodak to Maco Direct
Welcome to part four of this series exploring every single film stock (including instant film, dry...
Read More
Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format...
Read More
EMULSIVE’s most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE. If you’re...
Read More
Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm...
Read More
恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity Shot on Kodak VISION3 250D (5207) at EI 250 Color...
Read More
I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you...
Read More
Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm...
Read More
Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead Kodak Vision3 250D 5207 shot at EI 25 Color motion picture film in 35mm format Shot as...
Read More
Developing motion picture film in your own darkroom by Mr. D Cow Esquire
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has...
Read More
Bulk loading 120 film using 65mm Kodak 250D (5207)
In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak’s 250D (Vision 3...
Read More
Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut...
Read More
Taco Tuesday – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Taco tuesday Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm...
Read More
Joist – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Joist Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read...
Read More
Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Luck in red and gold Kodak 250D (5207 65mm) shot at EI 250 Color motion picture film in 65mm...
Read More
….and stretch – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
…and stretch Kodak 250D (5207) shot at EI 250 Color motion picture film in 35mm format ...
Read More
Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Curly Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read...
Read More
Knotty post – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Knotty post Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format...
Read More
UN-THAI-TLED – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
UN-THAI-TLED Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format...
Read More
Sakura wide – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Sakura wide Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format...
Read More
Redbrick – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Redbrick Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read...
Read More
Most Recent
Popular right now
![Introducing the pixl-latr: democratising the digitisation of film [with exclusive creator Q&A]](https://i1.wp.com/emulsive.org/wp-content/uploads/2018/06/pixl-latr-Cover.jpg?fit=1200%2C900&ssl=1&resize=40%2C40){kind=small}
All Categories
Articles (517)
5 Frames With (80)- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (5)
- Film Culture (20)
- Film Love (5)
- Film Parties (45)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Notes (7)
- Summer Film Party (8)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (4)
- My Home (4)
- My inspiration (1)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (24)
- Secret Santa (13)
- Thoughts (13)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (22)
- Developing Film (7)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (41)
- Long Exposure (3)
- Reversal Development (1)
- Featured (2)
- Interviews (195)
- Community Interviews (11)
- Photography (914)
- 110 format (3)
- 35mm format (436)
- 65mm format (3)
- Large format (11)
- Medium format (459)
- Reviews (151)
- Camera Reviews (56)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Exakta Cameras (1)
- Fuji Cameras (2)
- Gould Cameras (1)
- Hasselblad Cameras (6)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (1)
- Leica Cameras (1)
- Lomography Cameras (2)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (3)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (2)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (86)
- ADOX Films (1)
- AGFA Films (2)
- Bergger Films (8)
- CineStill Films (4)
- Efke Films (1)
- FILM Ferrania Films (6)
- Foma Films (3)
- Fuji Films (14)
- ILFORD Films (21)
- JCH Films (4)
- Kodak Films (19)
- Lomography Films (5)
- Luckyfilm Films (4)
- Revolog Films (1)
- Rollei Films (8)
- Washi Films (1)
- Gear Reviews (10)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (3)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (1)
Recent Comments