What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …
I remember the last time I shot on film was in 2008. After which, I switched to digital. There was a long break but I …
I got a sample roll of Kodak VISION3 250D (5207) as a roll of “SFL K250D”.
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.
Through this article and the
Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
School’s out
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
On the edge
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Saw
Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Wall Lords
Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Twin Peaks
Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter
Read the Kodak VISION3 250D review
Bulk load your own 120 film
 
Red or Dead
Kodak Vision3 250D 5207 shot at EI 25
Color motion picture film in 35mm format
Shot as redscale
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
