What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
Tag: Kodak VISION 3 250D (5207)
Posted inBest Of
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or more film discontinued – great, isn’t it? In fact, we’ve seen somewhere in the region of three new film stocks announced AND released – ILFORD ORTHO PLUS, Fujifilm NEOPAN 100 […]
Posted in5 Frames..., Articles
5 Frames… With Kodak VISION3 250D 5207 (EI 250 / 35mm format / Olympus OM-1)
I remember the last time I shot on film was in 2008. After which, I switched to digital. There was a long break but I started shooting on film again and was looking for something different. Being an amateur, I was always a Kodak film user in the past, so when I found Kodak VISION3 […]
Posted in5 Frames..., Articles
5 Frames… With Kodak VISION3 250D 5207 (EI 200 / 120 format / Pentax 645N)
I got a sample roll of Kodak VISION3 250D (5207) as a roll of “SFL K250D”.
Posted inDarkroom
Cinematic storytelling part 3: developing motion picture film
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
Posted inDarkroom
Cinematic storytelling part 2: motion picture film, print film and chemistry
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
Posted inDarkroom
Cinematic storytelling part 1: an overview of motion picture film and still photography
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.
Through this article and the
Posted in35mm format, Photography
Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Posted in35mm format
Photography: School’s out – Shot on Kodak VISION3 250D 5207 (35mm format)
School’s out
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Posted in35mm format, Photography
Photography: On the edge – Shot on Kodak VISION3 250D 5207 (35mm format)
On the edge
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Posted in35mm format
Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format
Read the Kodak VISION3 250D review
Bulk load your own 120 film
Posted inArticles
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Posted in35mm format, Photography
Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw
Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop
Posted inArticles, Best Of
EMULSIVE’s most popular articles of 2017
It’s the final part of this amazing series of listcles.
Posted inArticles, Best Of
EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Posted in35mm format, Photography
Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Wall Lords
Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Posted in35mm format, Photography
Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks
Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter
Read the Kodak VISION3 250D review
Bulk load your own 120 film
 
Posted in35mm format, Photography
Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead
Kodak Vision3 250D 5207 shot at EI 25
Color motion picture film in 35mm format
Shot as redscale
Posted inArticles, Darkroom, Developing Film, Experiments, Guides & How-Tos
Developing motion picture film in your own darkroom
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
