Kodak VISION 3 250D (5207)

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

EMULSIVE's most popular film stock reviews of 2019

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …

Read moreEMULSIVE’s most popular film stock reviews of 2019

5 Frames With... Kodak VISION3 250D 5207 (EI 250 / 35mm / Olympus OM-1) - by Khandker Montasir

5 Frames… With Kodak VISION3 250D 5207 (EI 250 / 35mm format / Olympus OM-1) – by Khandker Montasir

I remember the last time I shot on film was in 2008. After which, I switched to digital. There was a long break but I …

Read more5 Frames… With Kodak VISION3 250D 5207 (EI 250 / 35mm format / Olympus OM-1) – by Khandker Montasir

Cover - Cinematic storytelling part 2 - motion picture film, print film and chemistry v3

Cinematic storytelling part 2: motion picture film, print film and chemistry

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Cinematic storytelling part 1: an overview of motion picture film and still photography

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.

Through this article and the

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Twin Peaks

Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter

 

 

Read the Kodak VISION3 250D review
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Kodak 250D (5207) - EC2N homebrew developer - Ankle Slapper Tides

Developing motion picture film in your own darkroom by Mr. D Cow Esquire

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film