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Home » Kodak VISION 3 250D (5207)

Tag: Kodak VISION 3 250D (5207)

My year on film: A 2019 retrospective or, my not-a-365-project
Posted inOpinion

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Avatar - EMby EMJanuary 19, 2020July 31, 2021

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]

EMULSIVE's most popular film stock reviews of 2019
Posted inBest Of

EMULSIVE’s most popular film stock reviews of 2019

Avatar - EMby EMDecember 29, 2019July 31, 2021

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or more film discontinued – great, isn’t it? In fact, we’ve seen somewhere in the region of three new film stocks announced AND released – ILFORD ORTHO PLUS, Fujifilm NEOPAN 100 […]

5 Frames With... Kodak VISION3 250D 5207 (EI 250 / 35mm / Olympus OM-1) - by Khandker Montasir
Posted in5 Frames..., Articles

5 Frames… With Kodak VISION3 250D 5207 (EI 250 / 35mm format / Olympus OM-1)

by Khandker MontasirNovember 9, 2019July 31, 2021

I remember the last time I shot on film was in 2008. After which, I switched to digital. There was a long break but I started shooting on film again and was looking for something different. Being an amateur, I was always a Kodak film user in the past, so when I found Kodak VISION3 […]

5 Frames With... Kodak VISION3 250D 5207 (EI 200 : 120 : Pentax 645N) - Sergey Dozhdikov
Posted in5 Frames..., Articles

5 Frames… With Kodak VISION3 250D 5207 (EI 200 / 120 format / Pentax 645N)

by Sergey DozhdikovMarch 8, 2019July 31, 2021

I got a sample roll of Kodak VISION3 250D (5207) as a roll of “SFL K250D”.

Cover - Cinematic storytelling part 3 - developing motion picture film v2
Posted inDarkroom

Cinematic storytelling part 3: developing motion picture film

Avatar - Jeremy Saltryby Jeremy SaltryFebruary 7, 2019July 31, 2021

Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.

Cover - Cinematic storytelling part 2 - motion picture film, print film and chemistry v3
Posted inDarkroom

Cinematic storytelling part 2: motion picture film, print film and chemistry

Avatar - Jeremy Saltryby Jeremy SaltryJanuary 29, 2019July 31, 2021

In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.

Posted inDarkroom

Cinematic storytelling part 1: an overview of motion picture film and still photography

Avatar - Jeremy Saltryby Jeremy SaltryJanuary 22, 2019July 31, 2021

This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.

Through this article and the

Last breath - Shot on Kodak VISION3 250D 5207 at EI 250 - Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMOctober 15, 2018July 31, 2021

Last breath
Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

School's out - Shot on Kodak VISION3 5207 250D at EI 250. Color motion picture film in 35mm format.
Posted in35mm format

Photography: School’s out – Shot on Kodak VISION3 250D 5207 (35mm format)

Avatar - EMby EMSeptember 13, 2018July 31, 2021

School’s out

Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

 

On the edge - Shot on Kodak VISION3 5207 250D at EI 250. Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: On the edge – Shot on Kodak VISION3 250D 5207 (35mm format)

Avatar - EMby EMSeptember 11, 2018July 31, 2021

On the edge

Shot on Kodak VISION3 250D 5207 at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

 

Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250. Color motion picture film in 35mm format.
Posted in35mm format

Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)

Avatar - EMby EMSeptember 5, 2018July 31, 2021

Rusticle
Shot on Kodak 250D (VISION3 5207) at EI 250
Color motion picture film in 35mm format

Read the Kodak VISION3 250D review
Bulk load your own 120 film

 

 

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT
Posted inArticles

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Avatar - EMby EMMay 30, 2018August 7, 2022

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Saw - Shot on Kodak VISION3 250D 5207 at EI 500 - Color negative motion picture film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)

Avatar - EMby EMApril 27, 2018July 31, 2021

Saw

Shot on Kodak VISION3 250D (5207) at EI 500
Color negative motion picture film in 35mm format
Push processed one stop

 

 

Cover - Most popular articles of 2017
Posted inArticles, Best Of

EMULSIVE’s most popular articles of 2017

Avatar - EMby EMDecember 31, 2017March 27, 2020

It’s the final part of this amazing series of listcles.

Cover - Most popular film stock reviews 2017
Posted inArticles, Best Of

EMULSIVE's most popular film stock reviews of 2017

Avatar - EMby EMDecember 28, 2017December 16, 2019

Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.

Wall Lords - Shot on Kodak VISION3 250D (5207) at EI 250. Color negative motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Wall Lords – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMJuly 6, 2017October 16, 2020

Wall Lords

Shot on Kodak VISION3 250D (5207) at EI 250
Color negative motion picture film in 35mm format

 

 

 

 

 

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Avatar - EMby EMMarch 22, 2017April 12, 2021

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Twin Peaks - Kodak 250D (VISION3 5207) shot at EI 250. Color motion picture film in 35mm format. Hasselblad Distagon C 50/4 with adapter.
Posted in35mm format, Photography

Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMNovember 18, 2016October 16, 2020

Twin Peaks

Shot on Kodak 250D VISION3 5207 at EI 250
Color negative motion picture film in 35mm format
Hasselblad Distagon C 50/4 with adapter

 

 

Read the Kodak VISION3 250D review
Bulk load your own 120 film

&nbsp

Red or Dead - Kodak Vision3 250D 5207 shot at EI 25. Color motion picture film in 35mm format. Shot as redscale.
Posted in35mm format, Photography

Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)

Avatar - EMby EMJune 6, 2016October 16, 2020

Red or Dead

Kodak Vision3 250D 5207 shot at EI 25
Color motion picture film in 35mm format
Shot as redscale

 

Kodak 250D (5207) - EC2N homebrew developer - Ankle Slapper Tides
Posted inArticles, Darkroom, Developing Film, Experiments, Guides & How-Tos

Developing motion picture film in your own darkroom

Avatar - Dizzy Cowby Dizzy CowApril 16, 2016July 3, 2021

Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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