Tag: CineStill Film
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Photography: Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
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EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take
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EMULSIVE interview #162: I am Sheena She and this is why I shoot film
Hey everyone and welcome to the latest EMULSIVE interview.
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A word on: Cinestill 800T (35mm)
I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm f2.5 lens (with lens hood) to shoot a roll in and around the Manchester Art Museum, Rylands Library and the surrounds.
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CineStill 50D is available right NOW in 120 format
It seems that a few sneaky types have recently been spreading rumours about a new film from Cinestill on social media.
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Photography: Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)
Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations
Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T against the mighty Fuji 800 of yesteryear that was also recently featured in the Lomography Magazine (details for the curious are below.
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Photography: Inside the lion’s mind – Cinestill 800T (120)
Inside the lion’s mind Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Photography: Browsing – Shot on CineStill 800T at EI 800 (120 format)
Browsing Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: I choose you – CineStill 800T (120)
I choose you Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: Sex shop – CineStill 800T (120)
Sex shop Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Photography: Close attention – Shot on CineStill 800T at EI 800 (120 format)
Close attention Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as 6×6
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Every new film photography stock announced in 2017 (v6)
2017 has been a bumper year for film photography so far! This article provides a living record of all the new films announced in 2017.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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EMULSIVE interview #103: I am Raffael Stiborek and this is why I shoot film
I grabbed some time with Raffael Stiborek 28 year old photographer from Austria. You may have already seen some of his portrait work flying around the internet but if not, you’re in for a real treat. More from the man
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EMULSIVE interview #82: I am Damien Mountain Woods and this is why I shoot film
We managed to grab some time with Damien Mountain Woods, Australian and recent film convert.
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EMULSIVE interview #79: I am Joe Smith and this is why I shoot film
Here’s something a little different.
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EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough. So, it seems like the perfect time to bring you the work of another young
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EMULSIVE interview #64: I am Robert L. Jones and this is why I shoot film
Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.