Tag: CineStill Film
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5 Frames… With Cinestill 50D (EI 50 / 120 format / Zenza Bronica ETRSi)
I first bought this film to try Cinestill out as a brand. I was really curious about the company because of the concept of using movie stock film to create still photographs.
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EMULSIVE x CineStill Film Community Interview: submit your questions
It’s time to introduce the latest in this series of EMULSIVE Community Interviews, this time we’re going one-on-one (one-on-two?) with the Brothers Wright, the brains and brawn behind CineStill Film – Cinema film for Still cameras.
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5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR)
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
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Dear Benice 8: Cinestill, an Eastern-only delight?
Dear Benice, If I’m not in a big city in Asia shooting Cinestill film, am I really doing something right? Gudni ThorinorinssonSlushland Dear Gudni, Thank you for getting in touch with your concern, shared by many I’m sure.
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Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
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Not a sous vide cooker: Cinestill’s ºCs “Temperature Control System” TCS-1000 is a useful tool for simple film development at home
Available on backorder today starting at $99.95 and shipping from 10th October 2018, Cinestill’s ºCs TCS-1000 is a compact home film development device created to enable anyone to very accurately control their water/chemistry temperature when developing film. It might
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Review: CineStill Df96 Monobath developer
Anyone who knows me knows that I am a fierce advocate for film.
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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5 Frames… With Cinestill BwXX (EI 250 / 35mm format / Pentax Spotmatic SP II)
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll immediately. Like their other film stocks, BwXX 250 is movie film re-engineered for still cameras.
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5 Frames… With CineStill Tungsten 800 (EI 800 / 35mm format /Minolta X-700)
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m convinced that even the most mundane things, shot at night, on tungsten film, automatically become statement shots…
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5 Frames… With CineStill 800T (EI 800 / 120 format / Fujifilm GS645 Professional)
I’m a latecomer to film photography, but have been working hard to catch up. After reading a lot about CineStill’s products, I recently…
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Announcing: CineStill Df96 “DEVELOPER&FIX” Monobath
Hot off the press: there’s a new black and white monobath developer from the Brothers Wright over at CineStill – CineStill Df96 Monobath – and it’s available to buy this very minute on their website as a 1-Liter kit at
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Film stock review: CineStill 50D in the Arctic Circle
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I was intrigued.
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
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Test shots: Revolog Kosmos (35mm) + Bronica ETRSi
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.
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Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
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EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell. Over to you, John! Hi John, what’s this picture, then? Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
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Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
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Photography: Down the canal – Shot on Cinestill 800T (35mm)
Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format
Recently published
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