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Home » 2018 - June » Page 2

Tag: 2018 – June

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)

by EMJune 18, 2018July 31, 2021

Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

Rollei Retro 400s - AGFA GEVABOX
Posted in5 Frames..., Articles

5 Frames… With Rollei Retro 400s (EI 200 / 35mm format / Agfa Gevabox 6×9)

by Andrew BartramJune 15, 2018July 31, 2021

The Agfa “Gevabox” box camera normally takes 6×9 images on 120 film, has two shutter speeds and two apertures (mine is the later 1955 version).

Mirror finish - Shot on Lomography Lomochrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)

by EMJune 15, 2018February 5, 2022

Mirror finish

Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format

 

 

 

Featured Project - Creating Kosmo Foto Mono 100
Posted inArticles, Featured projects

Creating Kosmo Foto Mono 100

by Stephen DowlingJune 14, 2018July 31, 2021

Kosmo Foto started life back in 2012 as Zorki Photo through my love of film photography. Some people collect Contaxes and Leicas; I collected Zenits and Zorkis.

Half mast - Shot on ILFORD XP2 Super at EI 400. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)

by EMJune 14, 2018July 31, 2021

Half mast

Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter

 

 

Featured Project - Creating the Mother River photobook by Yan Wang Preston
Posted inArticles, Featured projects

Yan Wang Preston: Creating Mother River

by Yan PrestonJune 13, 2018July 31, 2021

In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km of the Yangtze River in China.

Bike share - Shot on Lomography Lomochrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)

by EMJune 13, 2018February 5, 2022

Bike share

Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format

 

 

 

Lens Review - Schneider Xenotar 150 2-8
Posted inGear Reviews, Lens Reviews, Reviews

Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video)

by Alastair BirdJune 12, 2018July 31, 2021

In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens.

Three - Shot on Fuji Provia 100F RVP100 at EI 100 - Color reversal (slide) film in 120 format shot as 6x6
Posted inMedium format, Photography

Photography: Three – Shot on Fuji Provia 100F RDPIII at EI 100 (format)

by EMJune 12, 2018July 31, 2021

Three

Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6

 

 

 

Kodak T-Max 3200 - Canon EOS 1V
Posted in5 Frames..., Articles

5 Frames… With Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon EOS 1V)

by Raymond van MilJune 11, 2018July 31, 2021

My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old T-MAX P3200 version was coming back I was excited.

In a sea of oil - Shot on Lomography Lomochrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)

by EMJune 11, 2018February 5, 2022

In a sea of oil

Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format

 

 

 

ILFORD HP5 PLUS - Canon 7 + 50mm f/1.4 LTM
Posted in5 Frames..., Articles

5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Canon 7)

by Anthony ChatainJune 8, 2018July 31, 2021

I’ve been working in the main business district of Paris, La Défense, for more than a decade. Nevertheless, it took me coming back to film a few years ago to start exploring the neighbourhood.

View no more - Shot on ILFORD HP5 PLUS at EI 1000. Black and white negative film in 120 format shot as 6x45. Push processed three stops.
Posted inMedium format, Photography

Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)

by EMJune 8, 2018July 31, 2021

View no more

Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops

Read the full ILFORD HP5 PLUS review here.

 

 

 

Analog (dis)ability - Adapt, overcome and adjust
Posted inArticles, Opinion

Analog [dis?]ability: adapt, overcome and adjust

by Scott HaysJune 7, 2018July 31, 2021

If you boil a potato long enough; it will become soft. Boil an egg long enough and it will become hard.

Split #06 - Shot on Kodak Color Plus 200 at EI 200. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)

by EMJune 7, 2018July 31, 2021

Split #06

Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.

 

 

 

Self portrait - Graflex Crown Graphic - ILFORD HP5 PLUS
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview 181: I am Amy Jasek and this is why I shoot film

by EMJune 6, 2018July 31, 2021

I’m very pleased to be able to bring you the work and words of a veritable film photography force of nature – it’s Amy Jasek everyone.

Shorn - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Shorn – Shot on Kodak EKTACHROME E200 at EI 200 (120 format)

by EMJune 6, 2018July 31, 2021

Shorn

Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6

 

 

 

Cover - Billingham Hadley Small Pro review
Posted inBag Reviews

Bag review: the new Billingham Hadley Small Pro part one

by EMJune 5, 2018October 26, 2021

I’m going to go out on a limb and say that for me, the new Billingham Hadley Small Pro is pretty much the perfect daily use camera bag. Believe me, I’m as surprised as you.

Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Posted inMedium format, Photography

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

by EMJune 5, 2018July 31, 2021

Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Pentax Super-A - Fuji Superia 200 - Aivaras Sidla
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Superia 200 (EI 100 / 35mm format / Pentax Super-A)

by Aivaras SidlaJune 4, 2018July 31, 2021

Looking back on the track for a little green bag (a little green box of film actually ☺).

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
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  1. Victor Bezrukov, photographer on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  2. Matthew on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  3. Brian on How to bulk load 120 or 220 film (using 65mm Kodak 250D 5207)June 27, 2022
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