Tag: 2018 – June
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Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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5 Frames… With Rollei Retro 400s (EI 200 / 35mm format / Agfa Gevabox 6×9)
The Agfa “Gevabox” box camera normally takes 6×9 images on 120 film, has two shutter speeds and two apertures (mine is the later 1955 version).
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Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Creating Kosmo Foto Mono 100
Kosmo Foto started life back in 2012 as Zorki Photo through my love of film photography. Some people collect Contaxes and Leicas; I collected Zenits and Zorkis.
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Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as 6×6 Orange #21 filter
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Yan Wang Preston: Creating Mother River
In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km of the Yangtze River in China.
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Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video)
In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens.
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5 Frames… With Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon EOS 1V)
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old T-MAX P3200 version was coming back I was excited.
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Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Canon 7)
I’ve been working in the main business district of Paris, La Défense, for more than a decade. Nevertheless, it took me coming back to film a few years ago to start exploring the neighbourhood.
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Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×45 Push processed three stops Read the full ILFORD HP5 PLUS review here.
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Analog [dis?]ability: adapt, overcome and adjust
If you boil a potato long enough; it will become soft. Boil an egg long enough and it will become hard.
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Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
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EMULSIVE interview 181: I am Amy Jasek and this is why I shoot film
I’m very pleased to be able to bring you the work and words of a veritable film photography force of nature – it’s Amy Jasek everyone.
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Bag review: the new Billingham Hadley Small Pro part one
I’m going to go out on a limb and say that for me, the new Billingham Hadley Small Pro is pretty much the perfect daily use camera bag. Believe me, I’m as surprised as you.
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5 Frames… With Fujifilm Superia 200 (EI 100 / 35mm format / Pentax Super-A)
Looking back on the track for a little green bag (a little green box of film actually ☺).