The Agfa “Gevabox” box camera normally takes 6×9 images on 120 film, has two shutter speeds and two apertures (mine is the later 1955 version). I tend to dip in and out of Retro 400s and normally shoot it at EI 200 but this was in a box camera so who knows! I keep a 30m length in a Watson bulk loader, I guess because I don’t shoot so much 35mm these days it does kind of get relegated to the back of the fridge in favour of Kodak’s EASTMAN Double-X 5222. But, it’s cheapish and I use it to play around with, which was the case here.
I’d cleaned up the old Gevabox and wedged in a cassette of Retro 400s. Coupled with a spirit level I’d added I so I could do sneaky waist level shots and took it with me as I headed up North to Newcastle for a business trip.
Loitering around Doncaster Station I held this thing at waist level and rattled off a few frames – 5 as it happened!
I knew from previous experience that you need to rate this film at probably 200 or slower to ensure good shadow detail, so I set the Gevabox to 1/50th and f11 (slowest speed and biggest aperture) and hoped for the best.
Developed the negs in ID11 1+1 for 9 mins and results seemed OK – funky sprockets and not much in focus – maybe the odd way I was holding the camera or, most likely just the camera.
Negs have a nice clear base and the don’t curl so great for scanning WHICH I HATE by the way.
Your turn: submit an article
EMULSIVE is all about promoting knowledge transfer across the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages: check out the submission guide.
If you like what you're reading you can help this passion project by heading on over to the EMULSIVE Patreon page. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.