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Home » Anthony Chatain

Author Archives: Anthony Chatain

I live and work in France. After 10 years using exclusively digital cameras, I came back to analog photography with the willingness to experiment with different film formats, to slow down my picture taking habits and to renew with this aspect of randomness and delayed discovery of the result inherent to film development.

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5 Frames… On the last day before lockdown with ILFORD FP4 PLUS (EI 125 / 35mm format / Robot Royal 24 Mod III) – by Anthony Chatain
Posted in5 Frames..., Articles

5 Frames… On the last day before lockdown with ILFORD FP4 PLUS (EI 125 / 35mm format / Robot Royal 24 Mod III)

by Anthony ChatainMay 24, 2020July 31, 2021

It was Sunday, I had loaded a roll of FP4 PLUS for the #FP4Party (but of course the party was already finished) in a new to me Robot Royal 24 Mod III. FP4 PLUS is not my usual slow speed film, as I usually go cheaper for that, and it had been a while since […]

How to Make cyanotype prints-from-analog-or-digital-negatives-without-sunlight by Anthony Chatain
Posted inArticles

How-to: Make cyanotype prints from analog or digital negatives without sunlight

by Anthony ChatainSeptember 6, 2018July 31, 2021

I hope that through this article, I’ll be able to convince you that cyanotypes can be done on a tight budget and without access to sunlight.

ILFORD HP5 PLUS - Canon 7 + 50mm f/1.4 LTM
Posted in5 Frames..., Articles

5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Canon 7)

by Anthony ChatainJune 8, 2018July 31, 2021

I’ve been working in the main business district of Paris, La Défense, for more than a decade. Nevertheless, it took me coming back to film a few years ago to start exploring the neighbourhood.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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