Tag: 2018 – April
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Every single film stock still made today – Part 2: FILM Ferrania to Hillvale (v2)
Update 01: 2018-09-20 Welcome to part two of this series, looking at all the fresh film stocks still being produced today. In part one I covered every film stock from ADOX to Dubblefilm.
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews
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Film review: finding my ‘do anything’ film for 4×5….a tale of ILFORD FP4 PLUS and HP5 PLUS
I have been shooting 4×5 for about five years. I use it for much of my personal work, and love the tonality and rendering it gives my images.
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Photography: 40 percent pebbles by volume – Shot on Kodak Portra 160VC at EI 160 (120 format)
40 percent pebbles by volume Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1 Program)
Friendship can be hard at times. Sometimes distance can pry us apart.
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Camera review: the Zenza Bronica ETRS – Workhorse, or Hippopotamus…?
From what I’ve read the Bronica ETRS I get the impression that it is considered the “lesser wanted” of the Bronica family. I really don’t know why.
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Bag review: The Billingham Hadley One part two – one year on (plus competition winner!)
Welcome to the follow up to my first impressions of the Billingham Hadley One, published in April 2017.
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5 Frames… With Impossible B&W 600 Black Frame (Polaroid 636 Close-up)
I shot over 14 portraits with the Polaroid 636 Close-up. I used it in different locations (inside of a white room, outside at 9:00 AM when it was a little bit colder, outside when it started raining.
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The Hasselblad V-system master guide: C and C T* lenses
In this section of the Hasselblad V-system master guide, I’ll be taking a look at the first two generations of Hasselblad lenses. If you’re looking for lenses for your Hasselblad 500, 500CM 501 or 305 (whichever version), this is the place to start.
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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High Speed Journey – Kodak T-MAX P3200 and Kodak Recording Film 2475
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris’s confidence in the market.
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An introduction to Platinum/Palladium printing
If there was ever a form of printing that gives you that true artistic feel, Platinum/Palladium would be it.
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Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen Shot on Lomography F²/400 at EI 400 Color negative film in 35mm format
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Dear Benice 4: territorial dispute
Dear Benice, As my film stash grows it’s taking up more and more space in the fridge, much to my better half’s consternation.
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Film tests: getting the best out of FERRANIA P30 Alpha part 1
FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager customers in late 2017. Many photographers (including yours truly) have questioned everything from its true speed to the nature of the emulsion
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Photography: Red yellow green grey – Shot on Lomography Color Negative 100 at EI 100 (120 format)
Red yellow green grey Shot on Lomography Color Negative 100 at EI 100 Color negative film in 120 format shot as 6×6
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Book: Goodnight Sweetheart – A miscellany of morose middle aged misanthropic musings and mattresses
The short version is that I’ve been working on Goodnight Sweetheart for three years. It’s a small photo book featuring photographs of dumped mattresses that I’ve found on my travels. I love a dumped mattress.
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Camera review: Fuji GA645Zi
Today I’ll be reviewing the Fuji GA645Zi; a review that is not exactly typical. For me, the camera is a tool that is supposed to do whatever I want it to do.
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Photography: Pole position – Shot on Fuji Natura 1600 at EI 800 (35mm format)
Pole position Shot on Fuji Natura 1600 at EI 800 Color negative film in 35mm format Overexposed one stop
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
